James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
不能选标签了？有些垃圾部门早点滚吧。。。黑了一片啊，笑死
三星半，吐槽有趣精准且底色荒谬，洗掉了那种常见的高傲感，超五星的题设
邱礼涛老师，你知道你在法国有个徒弟很爱你吗？
还挺有趣的。黑色幽默呀，这个版本的翻译老是致敬黄秋生也是醉了。
结尾完事也太快了吧
对任何事陷入极端就会精神失常，也是活该啊哈哈哈，伊朗猪肉给我笑懵了，字幕翻黄秋生你咋想的
如果说《新鲜》只是一个变态传奇，那《肉罢不能》更像一种极性社会的反向控诉。
太有意思的邪典片，让我有点好奇如果韩国日本泰国人来拍会是什么样子，此片应该艾特黄秋生，毕竟被男女主多次致敬（。
真实与幻觉融在一起，分不清哪些是哪里。人可以疯了，但精神意志还都在，底线守住了，仍然是人，或许还可以有未来。
四颗星给电影，加一颗给影片中对极端素食主义者的满满恶意！
创意不错，结尾略仓促，喜剧桥段还可以，废戏有点多！
想起一个更极端的群体 果食主义者 植物也是有生命的 所以只吃自然掉落下来的果实...
故事比漫画都随意 纯粹为了反zzzq的本子 几个动物世界的借鉴倒是新颖的紧 哈哈哈
哈哈哈挺好玩的，就是结尾太那啥了，直接杀出一片天地不好吗，再说这才挣了多少钱
遗憾是：Winnie，怎么我们就没发现心脏起搏器呢？
其实还可以，只不过有些小细节还需要打磨。你能想象到一个喜剧和惊悚混合体的故事么？就像片里提到的“伊朗猪肉”一样荒诞的一整个故事。
反流行，没有政治正确，可惜后半程无力且结尾仓促。
救命我真的看饿了，拍得好香好好吃啊！本肉食爱好者想立刻去大炫烤猪五花！肉店夫妻档联手猎食素食者，全程搞笑，看的黄秋生版本狠狠地get了，感谢有趣的字幕组- ̗̀(๑ᵔ⌔ᵔ๑)
对极端素食主义者的各种讽刺很到位，其实很难理解这些极端素食主义者，既然杀动物是杀生，那么杀植物也是杀生啊，应该众生平等啊！当然了，如果我能理解他们，那我不就极端了嘛！
在寝室关灯看的哈哈哈，确实有点惊悚，两条线交替进行的手法蛮出彩的。
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