Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
ryan reynolds人设已定从此不能演严肃角色。gal galdot美的令我审美疲劳已经不觉得惊艳【多伦多去dt地铁】
巨石强森那么大个身躯那么大个光头，戴个只能遮住黑眼圈的面具，是要瞒着谁，简直笑死了。加朵好美啊，红裙和泳衣都好好看。
爆米花电影。你能信吗，在这部电影里，三个主演中演技突破最大的是加朵……强森十年来一个演技，Ryan从死侍开始，就被死侍永久附体了，演什么都一个样。（加朵太美太美太美）
本来就是当晚会做的，今年最流行的长镜头打斗自然是标配，演员trio完全发挥个人特质，整台晚会光鲜，热闹，欢乐，看的很开心，配乐还flirt with刚刚退休的007。虽然轻浮，但这种靠台词支撑的氛围还挺难驾驭的感觉，贱宝跟大壮的台词打磨的很好。两男一女这种搭配，跟早年三角恋的模式比当下的惯例是chemistry要发生在两位男士中间，女生当闺蜜就好，贱宝领衔，从秉烛夜谈开始氛围还成。越狱时哪位给普京IG点赞的门卫小哥，类似这种小机灵鬼的punch line无数，Netflix阔气、大方，这换Disney plus总不是又得付费点播，让两位如此优秀的男士一起洗澡还递肥皂，算宠粉了，快乐的打四星。
这傻逼电影演员是怎么坚持演下去的，有被尬到。
看这阵容就能知道，绿灯侠负责嘴碎搞笑，神奇女侠负责展示美貌，黑亚当负责上串下跳，大伙一起看个热闹，基本上这就是全片基调，剧情什么的已经完全不再重要。最后果然不出我所料。妙妙妙！
这是一个关于艺术品大盗的喜剧故事。 整体剧情是俗套且幼稚的，顶多加个宝藏探险的成分，动作戏有点像过家家似的打打闹闹，而且节奏太慢，废话成分太多，各种元素乱入，完全可以压缩成90分钟。里面警察基本上很单纯，甚至有些愚蠢，很多情节经不起推敲，还有很多生硬的反转，只能带着不思考的方式去看，三大超英集体沦陷: 死侍装傻担当，女侠卖萌担当，亚当扮呆担当。这样的卡司和成本配上这样的剧本，当今真的很少见，除了网飞豪气，还能说什么。
变体：《绿灯侠大战神奇女侠：正义黑亚当》（世界头号通缉犯，化名黛安娜·普林斯，以员工身份作掩护，潜藏卢浮宫）。
太随意了吧，而且在俄罗斯越狱，乱杀狱警，俄罗斯人真就不是人呗
到底谁和谁一伙啊？最近怎么都喜欢去意大利拍电影，减免税费？
DC外传之原来我才是第三者！
三星半，合格爆米花，女警察身材深藏不露太有料了，还不忘黑范光头，哈哈
本片两大看点：加朵的腿和黄老板的沙雕(笑cry)。。。
好莱坞这些年大多在翻拍在搞IP，原创从80年代的60%以上急剧下降到30%以下！原创乏力，片商不愿花钱花时间搞原创写剧本，结果就是好剧本好故事更加难找，恶性循环。
剧作散漫幼稚、直男气味溢出的算法电影。这种明显无脑讨好下沉趣味的烂片，倒是没有影评人骂它“讨好观众”+希望导演退休。
明快流畅的无脑爆米花，有点鲁邦三世的影子。合格以上。
破防了 对比自己 我和我父母的关系极为糟糕 可我不知道怎么去改善 内心深处其实很渴望亲情
就是个大盗之间互相拆台合作盗取金蛋的故事，不停地反转
7分。合格的爆米花，上不了什么台面，看了也就图个乐~~~三个人都完成了自己的使命，耍拳的，卖肉的，还有搞笑的~~~角色的吸引力还是可以的，但故事撑不起来，也没什么强力的反派，总体还是太过平淡了点。Ryan Reynolds自从演了死侍以后怎么什么角色都是这么碎碎念了？？？还好Gal Gadot的颜依然能打，整体还是可以看看的。
加朵演技大增，不再是演啥都单纯善良瞪眼了，仿佛解锁了所有氪金表情包。欢闹耍贱不缺无脑反转的爆米花戏剧动作片，周末嗦个粉看着非常愉快还要啥自行车。
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