"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
另外彩蛋告诉我们:小白脸也不容易啊，为了骗点钱，性取向都得随意转换。
普通温情家庭剧吧，仅供下饭而已，剧情俗套无新意，也没有很搞笑
剧情很俗套，很狗血，看到最后还是觉得多学学几招防身术最管用
意料之内的反转。。。看似不靠谱的闺蜜其实才是最靠谱的。。。
女神都这么老了，然后一搜金刚竟然是05年的片子，恍如隔世。
「沒有人能活著從老公手機裡出來」
悬疑片是不是总得节节败，最后死在屎结尾上。
第1647部,你以为你给你孩子们上了一课,结果被摆了一道。
警察都是傻逼吗？女主为什么总是直面杀人犯？开头渲染死者爱玩游戏干嘛？拙劣
讲富爸爸为了锻炼三个不学无术的孩子。假装破产。最后他们都重新找到了亲情和自我的故事。
反转反转再反转！有点为了反转而反转了。其实不需要那么多次的
TA是个贱货！那是你们男人用来叫那些不和你上床的女人！
女主陪刚失恋的闺蜜周末到克罗地亚度假，没想到这却出了岔子。酒吧被人下药，第二天醒来，闺蜜失踪。最后得知被人谋杀溺水而亡。而她也被指控因为发现闺蜜和自己丈夫的私情，而杀害了自己闺蜜。女主试图弄清真相，通过民宿小哥的偷拍视频，还原昨夜房间的事情，随后查到车牌号，由此找到调戏闺蜜的警察，警察一时紧张，与女主拉扯失足送命。原本以为案件告破的女主，却在丈夫的口袋里发现了自己送给见面当天送给闺蜜的项链，一切真相随之大白……
非要在厕所里报警吗？克罗地亚警察这么蠢？不查一查她老公的航班信息？
为什么分这么低，看16分钟剪辑版感觉挺好的啊
和《厄运假期》【《艾米丽在巴黎》（：】还有许多类似的片子很相似，都以鬼吼鬼叫、傻里傻气的美国游客开始；然而平静之下有风波，接着一步踏错步步行错。有多少可以猜到的情节不重要，更关键的目的只要能让你停留在屏幕面前，就是胜利。“人无千日好，花无百日红”，Leighton Meester如今只能接到这样规模的的电影邀约实属遗憾；她应该值得真好，但确实很无赖。
尷尬演技但情節不錯.懷念Dubrovnik的美景
怎么说呢，这部片子的人物有一个算一个，都过于教科书化了，几位嫌疑人的设置刻意的令人发指，所有看似顺理成章的都是故布疑云，往往最早出现的人畜无害才是最后凶手，按这个套路一路看下去，就会觉得索然无味，再加上整个片子质感偏低，总体的感觉，就是个五分多的网大水平，磨时可以，深究就不必了……
起始于一个不可原谅的愚蠢错误，之后的一切都没有意义
好心的阿拉伯大叔才是赢家，既找到了对象，还洗白了难民身份，哈哈。
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