Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
女主很可以！疼痛发出的声音很真实了！拔出钉头这种事也是对自己狠的亚裔才能做的了😂
两星电影，亚裔担任主角形象正面加一星。下半段女主的降智操作为电影大幅扣分：明明有枪在手占据上风，不要求劫匪解除武装或者杀掉劫匪反而莫名其妙地跑路导致优势尽失。
黑夜，大雪，山林，小屋。这些元素混在一部片子里，对味！
最像反派的黑哥居然是唯一的好人 可惜挂得早
它竟然是2022的电影！看出了一种十年前的水准。。。
塔科马男子兄弟
这种风雪山庄斗智斗勇的类型片本来不是我的菜，而且开头也觉得女主智商让人捉急。但是开始打起来之后，还是挺惊悚的，女主开打之后智商和战力猛增，中间几个小反转还是挺出人意料的。女主一开始不是特别喜欢，看到最后觉的好赞！希望富豪家出钱帮她成功戒毒。
没仔细看开头的时候还以为是致命ID，搞了半天不是女主的幻想😂 但关于人设的反转还挺有意思的（这时Madam说这片应该给小孩子看看😂
【4月【➊】】【2022 ▲ 196】【≈ 95分钟】【原版 ★ 中文字幕】【⭐】◀▶【⭐⭐⭐】
其实挺无聊的，得二倍速，有些地方可以笑一笑。
反转紧张刺激 全员演技在线 尤其是亚裔女主小姐姐 钉枪恐惧 疼得心脏受不了看得直皱眉 红蓝警示灯下的仰视雪花镜头
不能明白的就是明明可以原路返回，然后再报警，为什么一定要死耗在休息站，就算小孩子有病急需救护也没有必要拿那么多生命冒险……
铺垫太长了，有些情节都能想到没有惊喜，名字叫做no exit但是剧情的那种绝望绝路的惊险没有表现出来。
挺好看的呀，求生欲拉满后战斗力爆棚，智商也ok。女主和父亲感情一定很好，艾什以为她父亲的事会刺激到她，殊不知反而在给她增加求生值。
这种剧本真是很无聊，结局还是那么老套，反派又是死于话多，警察又是龙套，女主光环严重闪瞎观众双眼，顺便还附赠油腻美式家庭和解团圆。
封闭空间，有限的几个人，居然一半都是恶人，这还能搞？！只能说，女主的主角光环带给她无比强大的武力和生命力
老实说看多了悬疑电影，看谁都感觉有问题！中间的反转给我的感觉就很平静，以至于还有2分钟就结束了，我感觉还有反转呢！整体作为悬疑电影真的紧张感不足，好在演技不错，其实要影片的内核更像是表现自我救赎，找到出口。
爆米花电影，典型美国英雄主义。搞笑一般，无脑剧情。
第二个赞叹是小女孩与中年女人的过往孽缘，真是让人感叹「因果轮回」。
差点意思 女主满脸血眼睛通红的样子有点害怕
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