"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
6.5.非常人贩嘛。女主刘海挺好的，千万别把腮帮子露出来。音乐不错。战斗场面还行。一偷渡都是中国护照，啧啧。剧情刻意了些，你把密码给人家不就行了，非要打起来。
时长82分钟，情节一波三折，跌宕起伏，却不乏温情细腻友爱的画面，将亲情，友情，环保三种思想融入情节，故事情节安排紧凑，环环相扣，悬念设计恰到好处。
怀旧宝马&飙车小姐姐，这手动挡玩的溜，手刹拉的飒
本以为是韩版《的士速递》结果是女版《大叔》。黑警弱鸡，国安弱智，孩子也不是一般的熊。朴素丹开车的戏太少了，结果全是改锥射钉枪和血浆的韩式打斗，货不对板啊。
韩国拍犯罪片真有一手，打斗场面干脆利落又暴力，飙车也很刺激，转折切换的镜头和摄影都还蛮讲究的，就是剧情太关注爽了，可以说剧情内容压根就没啥需要，反派的动机，女主的动机，配角的动机都不需要，反正就看场面就行。
玩命快递式的剧情，再加上脱北者的设定，似乎都是用滥了的老套模式，女主一把螺丝刀闯天下的开挂设定反而能吸引人看下去的原因，似乎还是干净利落的动作戏和飙车戏，没有了慢镜头看起来就是神清气爽啊
温情爽片。韩寒学学人家怎么拍改装车的。朴素丹演的太轻松了。
女主加分，车技加分，剧情么…一眼望得到结局的那种
杰森斯坦森的韩国版。只能说是合格商业片，内容基本没变，动作比原作降级了。
蛮好的，尤其最后那段黑灯打斗，配合音乐，特来电。电影四星，音乐加一星
拙劣的模仿，全然不顾逻辑，毫无来由的关怀太奇怪了。
宋清晨在酒店楼道那一瞬还真有点加里·奥德曼的影子。
简单直接，坏人够坏，好人够好，其他的也没啥。
早年元彬的《特工》，杰森·郭达的《人贩》，都是这类型，故事嘛，大同小异。
三星半，飙车+拯救，虽然题材没太大新意，不过还是很费爆米花的。
来吧，给韩语电影点个赞吧，我个人是绝对支持的。
是体现母爱的伟大的电影，很适合带小朋友一起看。不过，我们家中班的小朋友好像还只能看懂搞笑的部分，感动的部分还要再大一点才理解。
商业爽片。剧情一般，节奏还行，飞车追逐打斗搏杀刺激度佳。三星半
2022 No.60 / 6.5 / 3920 Last：青魇
动作设计还是可以，节奏也不算差，大体还是可以看的
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