When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
逻辑就是不通的,剧情又假又无聊,梗又老又破又无聊,演员的演技差加上很大众的长相,导致剧情毫无可信度
小品也可以拍一个半小时,只要你肯投资。1.5倍速看完,一点都不好笑!
2.5吧 有些笑点还是比较无趣 不知道哪个先拍 东北告别天团会相对好一点
整体一般,虽然有些情节确实搞笑,但是主线还是太弱,架子搭的不够丰满
学院派的若是听说有人把郭德纲执导的《祖宗十九代》说成电影,逮谁跟谁拼命。《烧烤之王》也是一样,那帮货看不上也在意料之中。
还可以吧,毕竟网大,和乔杉、彭昱畅的《沐浴之王》是一个系列的么?
轻松的喜剧,啥也没有还挺好看的,娱乐一下就过去了。
拍小品的去拍电影很大程度会成为灾难,如果拍电影的过程中还谋求向相声方面的转型,就会像本片一样把包袱也给忘了。
越来越对网大刮目相看了,即使是拉长版的小品,但能被那么一两个笑点戳中也挺值了
作为网络电影无疑高出水平线的,如果主创们能够将孙越这条情节线融入到故事中将会更成功。
一部呈现效果还不错的少儿歌舞剧电影。本身歌舞剧题材就不太好拍,而且是少儿的,难度更大。演员的表演都很到位,所以最后一也不错,但是配角感觉有点故意安排成了亚裔,男主的女票安排成了一个非裔,看来导演这是谁都不得罪,讲政治的典范啊。男主在百老汇载歌载舞的片段,还替tiktok做了个广告……
anyway it touches me.有梦想真的了不起
就是个加长版的小品,套路太多,人物和故事都被噱头牺牲掉了。
佳佳拍的这片不错,也开始走自己的喜剧路线了,挺好,低成本小制作,热热闹闹。
不错啊,算是语言笑点比较密集的,制作场面也可以
最近看过最好的国产喜剧片了,太有意思了。哈哈哈
不过欧美有很多优秀的地方,我们要学习。
不足就是很多笑料还待深挖,效果还不足。
国产现代片儿需要解决的一个问题是可信度,先把可信度问题解决了再玩梗啊,要不然看着累
一事无成的男主,在公司干啥啥不行,公司老板的父亲一直在做烧烤,老板让男主只要搅黄父亲的烧烤店就算堪当大用,男主找到了腰子姐和东北禽王,跟老爷子竞争,老爷子也找了四大天王,烧烤辅助竞争,最后男主爱上了烧烤事业。当齐心做一个事业的时候,稍有成绩,你就爱上他了
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