Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
咸鱼“乘风破浪”，寓有“咸鱼翻身”之意，欢迎来到苏氏咸鱼。
男主和女主的感情线好好磕，虽然这部剧的主题不是爱情，但是男女主之间的互动真的很有意义。
嗯 苏文兴就算是离家创业，无能这个人设也丝毫没有改变，靠着高甜才能做起来，而且方法上和剧版比没有太多新意，不过是男女方换一下位置。简单看一下吧。
比想象中的好看，剧本故事还是延续了电视剧的风格，原汁原味，还引用了经典片段，可以说是用心了。演员虽然不大咖，但演技不尬，个人觉得算是高标准的网络大电影了。
赘婿的番外篇，平常吃饭的时候都是正餐，出去的时候都是正装，偶尔穿着大裤衩打着赤膊练点地摊儿，也是一种放松和享受。
可惜的是套路相近 新意不大 但是用梗还真的是很棒的 值得一看
系列番外还是要看的，大嘴猴还是那么搞笑啊，抱得美人归
7分，挺逗的，最近没什么时间看电影，抽空看着就图一乐。。
思路上有几处亮点，一些魔鬼的造型也有新意。
剧情一般，主要是为了第二季的赘婿连续剧制作彩蛋～例如：大鹅～哈哈哈～文兴还是不错的～
节奏好慢，好多多余的场景和慢镜头，感觉在凑时间。
最终男主为了孩子们还是与魔鬼做了交易，出卖灵魂
搞笑🤪，各种现代梗都在里面，哈哈哈，剧荒可以看看
就很无厘头恶搞的片子 倒也不乏有点女权的味道在 还行吧 只是拿来笑一笑
讨巧的电影，或者说是电视剧外传，不能说多好，但是当时在看的时候就想看下去，吉吉国王让我很好的笑了出来。
还行，挺逗的，导演的画面不错，质量还是蛮高的。
活得久你就可以看到劣币驱逐良币，魔鬼驱逐上帝。
作为网络电影来说已经很不错了，茶余饭后值得一看。
作为剧的番外很超出预期，即使不看剧也可以独立看，但如果看了剧就会发现保持了统一的质感和气质，梗的密度很高，和剧的呼应很多。番外成功开发出很多配角独立线的可能性，其他剧也可以学习一下。期待主创继续开拓赘婿宇宙。
赘婿系列，感情线俗归俗，那些照搬现代营销手段，看着还是有意思。也就不管可行性了。
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