一分钟仰卧起坐技巧 高清

评分:
9.0 推荐

分类: 喜剧片 2001

导演: 理查德·莱斯特

剧情介绍

  这是Richard Lester最好的一个片。
  An absurdist classic
  This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.

评论:

  • 卓丹萱 2小时前 :

    那麼

  • 卫明明 8小时前 :

    在缺乏同情心的年代,任何一点异己的行为都会被视为疯狂。

  • 御问寒 3小时前 :

    题材不新鲜 偷窥 跟踪 性欲 不要相信太巧合的事 以及不要干涉别人的生活

  • 俊恒 0小时前 :

    结局有点嗯…………不过前面很吸引人,女主身材太绝了。

  • 屠元灵 2小时前 :

    前面一度弄得很巧合就为了连上后面生硬的反转,中间太潦草了,收尾可以,大家都是恶人大家都没有好下场

  • 布雨星 4小时前 :

    当你凝望深渊的时候,深渊也在凝望你。当你自以为是“上帝”的时候,你早已落入“上帝”的圈套。如果没有结局的“复仇”整体会更好。

  • 敖从安 1小时前 :

    They wrote a phony story, and put lots of titties in it, just to entertain us. I'm touched.

  • 扈尔雅 0小时前 :

    很香艳,女主胸美,get到刘承羽,蛇蝎美人竟也很合适。Hitchcock果然超前,强行反杀有真善美结局之嫌。

  • 彭开霁 9小时前 :

    “毫无疑问,她有歇斯底里症” mélanie laurent虽然语法直白但也可以称为老师吧

  • 尹建元 7小时前 :

    结尾真的太草率…头重脚轻太离谱 但分给悉尼妹 真的绝了身材。这种“创作”模式真的蛮新颖,很适合改编成沉浸式戏剧

  • 卫占芳 8小时前 :

    画面真好,主题也很鲜明。#梅拉尼罗兰补完计划#

  • 凌欣 5小时前 :

    其实剧情走向是好看的,若是略微调整几个细节上的bug会更好。西德妮有一种能成事的特质,但在这部片子里的表演还需打磨。

  • 旅采梦 3小时前 :

    卧槽,还真好看!魔高一尺道高一丈,善恶终有报,恶人自有恶人磨,多行不义必自毙,人性就是这样。稍有bug

  • 丑瑜蓓 8小时前 :

    很喜欢女主的床戏,肯定不是真的,表演真的好看

  • 昌慧巧 3小时前 :

    故事非常完整,好于以往任何类似情节的片子。女主演技一流。

  • 合高寒 7小时前 :

    [视]露点,亚马逊。听说露点,调高期望,不舍得看。节奏慢,故事不及预期,女主颜值、胸型不及预期,女主风格像米娅·高斯,颜值不如女二刘承羽,长腿刘臀型惊艳,前期露点频率偏高,反而令人担忧,高潮戏铺垫偏长。婚内出轨,开放性关系,边缘危险试探,瞳孔和蛋黄,空间蒙太奇,反转奇幻,结尾浪漫,<死神来了5>,日本元素,小人长命。西德妮·斯威尼(97)

  • 封安安 5小时前 :

    还真有点《后窗》、《偷窥狂》的感觉,讨论不道德的窥探与反凝视,捕猎者和猎物身份的转换与并存,这种深度的内核挖掘在当代惊悚片中非常惊喜,皮帕为了吸到黄金乌干达害死男朋友,茱莉亚不惜拿男朋友的肉体勾引目标,俩狠女人。bug是黑人男友上吊自杀还是被人吊死警察不会判断不出来吧,摄影师两口子瞎了眼居然不想尽一切办法报复女主吗?本哈迪的肉体我的妈呀是我我也沦陷啊

  • 仝曼丽 2小时前 :

    高级的猎人往往以猎物的方式出现。开头有2021《后窗》的感觉,结尾拉垮,不血腥也不恐怖。

  • 帖若翠 3小时前 :

    我一开始还在想这个又有亚洲佬、又说美式英文、又有英式英文、还有澳洲口音、甚至还有法语的现代化城市是不是虚构的,结果设定的是蒙特利尔........也有点道理吧........无非又是个大事本可以化小非要做的越来越大直到爆炸的片子。Sydney确实是极度上镜,虽然这片还是在消费她的性要素。

  • 慧桐 5小时前 :

    偷鸡不成蚀把米,看戏反成剧中人。人类悲剧的根源,都是心中无尽的欲望。

加载中...

Copyright © 2015-2023 All Rights Reserved