American psychologist John Holden arrives in London to participate in a symposium aiming to expose witchcraft and devil-worship as a fraud, with attention centered on a cult run by a Julian Karswell. Debarking his plane, Holden learns that the symposium leader, Henry Harrington, has suddenly died and he is now in charge. What only the audience knows is that Harrington was clearly killed by a demon, apparently summoned by Karswell to avenge his persecution. Despite both threatening and cajoling behavior by Karswell, Holden determines to proceed, though the only cult member willing to talk about his experiences is in a prison psychiatric ward, catatonic after allegedly killing yet another cult member. However, Harrington's niece, Joanna, believes, based on her uncle's notes, that Karswell may indeed have some satanic powers derived from an ancient tome in an obscure language which he has been able to translate, and attempts to warn the skeptic Holden. Karswell's mother also attempts to warn Holden off. However, the thing which begins to most get to Holden are the occasional, but mounting, sensory and mental disturbances he begins experiencing after an encounter with Karswell, and the discovery that, during this encounter, Karswell secretly slipped a slip of parchment with a curse in runic symbols on it into Holden's belongings, a parchment identical to one Harrington recorded having had passed to him in a similar manner shortly before his death... [N.B. Holden at no point stays at the Karswell estate].
我说有的人真难伺候，没来之前哭着嚎着说要看，来了又指责太真太晦气，嫌晦气看什么恐怖片啊你去看主旋律啊？
谁说算计观众的不算英雄
新冠袭来，之前简单的事情都变得异常困难，很真实展现了疫情初期养老院的窘境。
身历其境的拍法+后段有个让眼睛不太舒服的设计有点小巧思，整体故事我觉得还好，但拍摄场景我蛮喜欢的，很有感。 气氛营造不错，就是真的吓人的点大概只有两三处，其中一个预告已经告诉你了。喜欢这种偏民俗信仰的题材，比较有代入感。
好看，就恶心死你们这帮看盗版恐怖片还嫌晦气的大撒币。
除了预告片里有的那个，其他基本完全不恐怖，对于节奏的把握实在是做得很不好，以及互动算是创意吧，但也就不知道骗谁。。。强升华又，有点硬尬了。
伪纪录片的重点就是如何巧妙运用摄像机，这部片子则是，在任何情景下都不忘先打开摄像机拍，没有摄像机也要掏出手机点开录制视频，这份刻意比鬼还可怕。
谢谢🙏 火速附件此片邮件给全公司并抄送所有客户
影片直面当下最迫切的问题，立意很好，但影像的呈现始终略弱。很多处的配乐都显得虚张声势。如果能把尾声里Jodie的长独白处理得掷地有声，也许会好一些。
今天是大黑佛母的生日🎉🎉🎉观看点赞并转发本视频给六个群的人有好运，赢q币，国庆节不上班😻😻😻绝对不骗你，我已经试了哦🤩😝😝
想起以前曾有许多巴拉巴拉必须转发多少次巴拉巴拉不转发就怎样怎样的智障信息，这个“咒”亦或有影射于此的意思。不信谣不传谣跟大佬走，马选毛选挂中堂，镇宅辟邪当属顶流。
我觉得这电影的恐怖密集程度仿佛佛母的脸😅
6.9/10 总体来说还是一部后劲很猛的恐怖片，加上各类密密麻麻的特写真的会让人生理不适。至于这种脱裤子放屁的伪纪录片镜头，真的比故事本身还要假
看吗 看啊 以最凌乱的镜头
很恐怖，想着的是把他当做情感八卦版看——第一次去男朋友家，他们家人只给我吃很难吃的青菜和一些咸菜所引发的血案。
而当观影这个行为成了宗教实践的一部分时，更多的观众选择了“相信”，害怕自己被“诅咒”。无法否认，这就是影片的文化背景。
富强、民主、文明、和谐、自由、平等、公正、法治、爱国、敬业、诚信、友善！
场景氛围和民俗奇观邪得够带劲，桥段设计和美术视效也可圈可点。从“禁止入内的场所”到“绝对不能看到的面孔”再到“灵异视频Replay”，都是日本心霊类伪纪录恐怖片的招牌手法，包括最后所谓“晦气”的互动方式其实也是一种都市传说和民间怪谈的常见模式，恐惧感越过媒介和载体抵达观众内心，产生人人自危的恐怖效果。而很多看似不合常理的、刻意的摄影机位，实际上是为了成全这个结局和角色别有用心的意图的，而且也并非完全无法去解释（尽管自洽性没能做到百分百）；存在感过强的剪辑也是为了照顾观赏性。毕竟后伪纪录片时代，在已知其作为伪纪录片的前提下，还有多少人会“信以为真”、素材的所谓合理性是否仍占据绝对主导地位，这些问题还是有商榷空间的。
一首祖海的《好运来》送给每一个沾到晦气的大家
只有诅咒观众还算有点意思，除此之外都乏善可陈。
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