Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
弟弟看的很开心，整体结构很大片。
想起了芝加哥。密密麻麻的高楼。过度解读出米ZF乱来警察靠狗狗的意味。
最精彩的部分貌似睡过去了...前面一直在找亚裔脸，好像没找着...
陪娃看电影3 狗狗拯救世界！娃很喜欢看，看得入迷！
挺好看的呢！跟室友一致认为比同期萌鸡小队好看😅（跟室友都没看过这两部动画片）我笑点挺高的居然还笑了几次😄值得带娃去看！娃也很欢乐
《侏罗纪世界2》最棒的莫过于结尾处，恐龙进入人类世界...结果《侏罗纪世界3》根本没有现代物种与恐龙之间的战斗，并且，全片 2.5 小时，恐龙的打戏少得太可怜，反倒是一群“人类”发牢骚...另外，绝对模仿了 Apple Park 和 Tim Cook，太 TMD 相像了！从怪兽的趣味性绝对没有《金刚大战哥斯拉》来得精彩啊！
“就算他们很害怕，他们还是挺过来继续前进，所以他们才能成为英雄。/我看到的是一只勇敢的小狗，尽管你小到无法照顾自己，但是你依旧在对抗那些可怕的事情，然后站起来继续前进，我不是同情你才收养你，我是因为你是我最见过勇敢的狗狗才选择了你，我知道冒险城对你来说一直很难，但是我也知道你生来就是英雄。”
南方巨兽楼被拍得毫无气势，大概就是本片失败的缩影
陪闺女看的第三部。她关注两个问题：1.阿奇晚上为什么睡不着。2.莱德是怎么被石头压住了脚
看的中文版。然后作用就是促进舅侄间的感情。
我居然看的津津有味！？一直以为汪汪队是国产动画，没想到。。画面感满分，立意也不错，很适合小朋友！
色彩很棒，故事也不尴尬，虽然我睡着了，但小朋友很开心。
什么？Kim Kardashian演的谁啊？
比第一部有意思，没睡着。莱德完全换造型了，娃说有点丑
虽然低幼但能看下去，汪汪队装备集体更新，队员又多了个贝贝，周边又可以大卖了
纪念一下，跟两个宝宝第一次到电影院看电影。
什么？Kim Kardashian演的谁啊？
必需五星，给小朋友很好的教育体验，让她懂得了什么叫有困难不要害怕，战胜自己，超越自己，不论音乐，编剧还是色彩等都很棒！一定要电影院看才完美，我喜欢电视剧和电影院主题曲一样，这样会有亲切感
带娃看的第一部电影，还觉得挺好看的，要是真人版那些武器装备一定非常酷炫，类似开摩托爬摩天大楼场景阿汤哥也演过，非常过瘾了～作为动画片还不错啦
乐之在电影院看的第一部电影！非常好，虽然一直说不敢看，但还是口嫌身直连字幕也不放过。有深意有搞笑，出来一直说喜欢阿奇，真勇敢。
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