Cameras are rolling on the French Caribbean island of Guadeloupe for the tenth anniversary series of BBC One’s hugely popular Death In Paradise, making it one of the first BBC single camera dramas to start filming since lockdown.
Red Planet Pictures have worked closely with industry bodies, other production companies and the BBC to develop a detailed Covid-19 protocol policy, implementing various safety measures including social distancing, face coverings and temperature and Covid-19 testing to minimise any risk of infection. There is also a full-time Covid-19 Supervisor on set to make sure the protocols are being implemented correctly and the latest guidance is incorporated into the policy. The health and safety of our cast and crew is paramount and production is working in line with the Guadeloupe advice as well as the industry guidelines.
Returning to the sun-soaked island to reprise their roles are Ralf Little as D.I. Neville Parker, Don Warrington as Commissioner Selwyn Patterson, Tobi Bakare as D.S. JP Hooper and Elizabeth Bourgine as Mayor Catherine Bordey.
As well as the usual baffling murders, intriguing puzzles and famous guest stars, viewers can expect some huge surprises as the show celebrates a decade as one of the most loved British dramas - and these surprises begin with the return of D.S. Florence Cassell, played by audience favourite Josephine Jobert. Florence thinks she’s ready to get back to work after her fiancé’s death two years ago - but she hasn’t banked on her new boss, Neville. As she tries to understand his peculiarities, sparks are bound to fly…
Neville soon realises he is existing in the Caribbean, rather than embracing life there. With Florence’s help, he determines to seize the day and finds himself starting to reveal some of his secrets - including of a romantic nature. But is Neville really built for a life in the tropics? And is a romantic relationship ever going to be possible for him?
After two series bringing law, order, and joy to the streets of Saint Marie, we’re sad to say goodbye to Ruby Patterson who made such a massive impact in such a short time! DS Madeleine Dumas will also be departing Saint Marie’s sunny shores and we would like to thank Shyko Amos and Aude Legastelois-Bidé for bringing Ruby and Madeleine to life and wish them all the very best for the future.
We are excited to welcome a brand-new face to the team, in the shape of Tahj Miles. His character, 18-year-old petty criminal Marlon Pryce, is a ball of energy and thinks he knows it all. But when he runs into JP, his life takes an unexpected turn and he finds himself looking at a very different future to the one he expected.
The arrival of twins is the least of JP’s challenges as he finds Marlon - and some shocking developments at work - testing him to his limits. Selwyn’s frustrations with his new detective take a back seat when he finds himself in the firing line and Catherine’s life is turned upside down when the death of a friend pulls her into grave danger.
Executive Producer, Tim Key, says: “We are delighted to be able to start filming and can’t wait to celebrate our tenth series with our audience. It’s a joy to be working with Josephine Jobert again and we think the viewers will love watching her trying to get to grips with Neville. And we are very happy to welcome Tahj Miles to the show. Marlon is going to make real waves once he arrives in Saint Marie. We’ve got some real treats for our long-term viewers as the series progresses - including some major surprises and the possibility of another returning face or two. We are determined to make this our biggest and best series yet and can’t wait to take our viewers back to Saint Marie in 2021.”
Red Planet Pictures' Joint Managing Director, Alex Jones, says: “Like every other production company, we have faced huge challenges to get to this point, so we are delighted to be up and running again and extremely grateful to everyone who has helped us get this far, not least the people of Deshaies and the region of Guadeloupe for their assistance. The safety of our cast and crew - as well as our friends in Guadeloupe - is the most important thing to us and our policies have been designed to protect everybody whilst still delivering an amazing series for our tenth year.”
BBC Commissioning Editor, Tommy Bulfin, says: “We are so pleased that filming has started on this special tenth anniversary series of Death In Paradise. This series is packed-full of captivating cases and unexpected twists, as well as some really great surprises for fans of the show. Thanks so much to Red Planet Pictures for working so hard to make it happen.”
Death In Paradise is a Red Planet Pictures production for BBC One made with the support of the region of Guadeloupe and internationally distributed by BBC Studios. Series ten is produced by Jim Poyser.
果耶妹妹凌厉、恨意燃烧的眼神确实很有力！
基调比较沉郁，每一帧都是满满的沉重生命感。愿那些得不到保护的人都能得到善待。
本来很好的心情因为一个无用的人被破坏。昨晚回来开班会、洗衣服、吃饭。天气很好，有夏天的感觉了～～～
后半部分逻辑有点不能接受，不过反转后小屋里佐藤健的戏全片最佳了
#TIFF 2021 开幕片#虽然该笑的地方笑了，该哭的地方哭了，但更多的是音乐响起后的生理刺激，而非剧情表演所带来的感动。大热音乐剧改编，最后却呈现一种可看可不看的状态，原剧很多经典桥段要么删了要么变得非常奇怪，就怎么说呢，改编的时候还是用点心吧，毕竟电影还是电影，舞台剧有很多用力过猛的地方还是不适合大银幕。
故事很有横山秀夫的风格，可惜原作者不是他。
音乐剧不会也是这样吧？这电影确实没啥意思，主角的错误很难被原谅，观众怎么可能因为你有心理问题就宽容你呢？
因为看过音乐剧所以对电影不抱希望，谁知道因为电影运镜问题，男主的表情纤毫毕现。他在公园木道上奔跑时的彷徨、紧张、孤单、恐慌，尝试找到一个可以hold onto的东西时，我的心一遍遍地碎了。电影增添了很多剧里没有的细节，让一些情节变得更加丰满了。可惜也删掉了几场比较好的戏，让情绪的递进有些生涩。可我竟然从头哭到尾，到最后甚至控制不住开始边哭边发抖。男主因为局促紧张而开始撒谎，因为渴望自己描绘的梦想而去圆谎。他一边沉溺于幻境，我一边心碎。里面两个妈妈的形象都比原剧丰满，并且把一个人被left out的孤独、溺毙、失声感表达得淋漓尽致。但是印度小哥和Connor的形象太扁平了。Still, it’s a relatable movie.
封闭期间观赏很应景。天灾不可避免造成的创伤可以花时间去治疗，人祸是可以避免的造成的痛是深入骨髓的。
删了Connor、他爹、两学生的歌，为了集中线索可以理解吧，结尾更多Evan修补错误的努力，也让和解更容易接受。但整体不是用力过猛，是也太不用力了吧？为什么觉得怼着唱歌的人拍一整首就完成任务了啊？一个彩蛋：Connor的最爱书单居然有🐶哦，真的有洗白很多x
该怎么说呢...对热爱原剧很期待电影的人：降低期待值吧没那么好。对外网的疯狂吐槽和差评：倒也没那么烂。三星半吧
能把这样沉重的题材拍得如此妙趣横生，拍得如此悬念十足、创意十足，不断反转，真是太难得了。
清原果耶妹妹脸上胶原蛋白好足，职业装多少有点点违和，看着还是太年轻了，更像个实习生；jk扮相简直变了个人，齐刘海不要太可爱太青春！演技也的确值得一个最佳女配角。很日式很社会派推理，剧情衔接有点松散，明明不需要拍两个多小时的嘛！最后一刻钟撒狗血到了极致，但想想也的确圆得回去……宽叔大概也觉得有点无语，脸上隐隐约约有种快点拍完想要下班的感觉。小林子砂糖稳定发挥，小林子又演警察搞得人很想复习ST红白档案。瑛太每次出场都相当出彩，人物本身和表演都很圆满。在这个大家都在囤菜囤粮的时节看这部片心里多少有点复杂，有饭吃有水喝是底线，冲这个立意加一星。
虽然有种强行灌心灵鸡汤的落入俗套感，但还是有点被感动到。
音乐剧是一部不错的音乐剧，改编电影后，把音乐剧的缺点放大，优点减弱了，虽然补完了音乐剧里无法呈现的“细节内容”但却形成了反作用使得剧情的拖沓以及无法与歌很好地融合，如果这故事仅仅只是剧情片也会是个不错的题材，但歌是真的好听的，导演拍摄就一般了
清源果耶演得挺出彩的，砂糖和宽叔的人设一般般，感觉整个故事杀人动机太弱了……就A太他们也是按照流程公事公办，毕竟有时候基层人员真的也无能为力，何况还有那么多骗低保的人。但是比起那些骗子，有些真的困难的人不好意思要郭嘉照顾所以不敢开口申请补助这个体面感确实挺让人心疼的，只是工作人员也没办法；何况干酱跟他们共事那么久也能知道他们并不是该死的坏人，要发声也不该用这种方式。整体动机薄弱悬疑感一般般，不过还是挺现实挺无奈的，看完有些难受，那种无力感哈哈哈。全球人口老龄化以后大概更难了orz
没有风评批得那样差，原剧本为底拍出七成都不会难看。存在情节转换生硬、镜头语言不佳的问题，当成无官摄音乐剧的补充比较好
无论多发达或者多贫穷的国家，都有很多得不到保护的人们。
拍好了，我会哭晕，然后给个高分；拍砸了，就是满屏翻白眼，主创反思下吧。3/10
美式正能量 如同裹脚布般臭又长 实在太无聊… 只有摩尔咩里咩气的so big so small让我很是意外。虽然也是在破音的边缘来回试探 但至少应该是没有降调的。我以后再也不说她五音不全了 只保留四肢不协调。
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