[satyamev jayate」意为“真理战胜一切"，这句话写在印度国徽上，是印度的座右铭。宝莱坞电影巨星阿米尔汗历时两年，打造出这一关注社会、贴近民众、深层次揭露社会问题的节目。他采访不同阶层印度人的真实故事,大胆曝光印度社会种种弊病,力图以残酷真相打动和唤醒大众,进 而努力改变现状、治愈丑陋伤疤。
Episode 1: Fighting Rape 对抗强暴
The first episode of Satyamev Jayate Season 2, telecast on March 2, 2014, dealt with the issue of rape and underlined several systemic factors that act as roadblocks on the path to justice for survivors.
The Vote for Change campaign for this episode centred around three focal points:
The setting up of One-Stop Crisis Centres in every district of India as per the guidelines recommended by the Justice Usha Mehra Commission.
The creation of Vulnerable Witness Deposition Courtrooms across the country.
A gender-sensitive, scientific and humane protocol for the medical examination of survivors of rape, to be uniformly implemented across the country.
Episode 2: Police 警察
On March 9, 2014, the second episode was telecast and it dealt with the need for reforms in the police. In 21st century India, the system of policing is still by and large within the framework of the 1861 Police Act introduced during the colonial British Raj. The police continues to be a ruler’s police rather than a people’s police.
The Vote for Change campaign for this episode urged citizens to support the demand that the 2006 judgment of the Supreme Court in the case filed by former DGP, UP, Shri Prakash Singh be implemented and a people-friendly police force be created.
Episode 3: Don’t Waste Your Garbage 不要看浪费你的垃圾
The third episode of Satyamev Jayate, telecast on March 16, 2014, dealt with one of the most shameful problems persisting in our cities and towns, viz: garbage and the scandalous state of solid waste management.
The Vote for Change campaign for this episode called upon people to support the demand that incinerator technology for burning waste be opposed and that state governments and union territories work towards implementing the Municipal Solid Wastes (Management and Handling) Rules, 2000.
Episode 4: Kings Every Day 我自君王，每日
Telecast on March 23, 2014, the fourth episode dealt with the need for strengthening grassroots democracy and in particular, highlighted important measures to help fight corruption and increase public participation in governance.
The Vote for Change campaign for this episode urged citizens to lend their support to the demand for social audits of the government’s expenditure on social welfare, and the passing of the Public Services Grievances Bill which will help ensure that essential services are delivered in a time-bound manner to citizens.
Episode 5: Criminalization of Politics 政策犯罪
Satyamev Jayate’s fifth episode, telecast on March 30 2014, dealt with the rampant criminalization of politics in our country.
The Vote for Change campaign for this episode called upon people to support the demand that the proposal of the Election Commission to debar candidates with serious criminal charges (with appropriate safeguards) is brought into effect and such candidates are not allowed to contest elections.
Just came out of my meeting with Honorable Prime Minister of India Shree Narendra Modiji. Was very kind of him to spare his valuable time.
— Aamir Khan (@aamir_khan) June 23, 2014
Shared with him the overwhelming support that we got from people across the country through Vote for Change Campaign...
— Aamir Khan (@aamir_khan) June 23, 2014
..on SMJ on the various issues that we tackled in our show. He has assured me that he will look into all the matters pic.twitter.com/AI7e8cX9Bn
— Aamir Khan (@aamir_khan) June 23, 2014
http://www.satyamevjayate.in/petitions-reach-topm.aspx
鸡毛蒜皮的琐事让人毫无带入感，毕竟《我爱露西》不是每一个人都看过得，看得过程无比煎熬，得耐着性子找亮点，要不是这卡司，真是10分钟都看不下去。
我也没想到我会在1小时59分那里被砍一刀。我不是说她的婚姻，我是说她也需要胡佛的电话和一场最佳公关来为自己洗去污名。我的小猫咪，你没有任何大人的电话，身边也只有害死你的公关和至今都在吸你的血的老b们。你怎么办呢，我的小猫咪。
失望，真的也就只有妮可的表演够用力了，差点中途弃
比导演的上一部《芝加哥七君子》更能让人看下去，喜欢其中对情景喜剧幕后的生动描绘。7
中规中矩的传记片，今年的奥斯卡提名电影里，完成度算是比较好的了。
现在妮可变成了angelababy了，僵化的脸去演需要脸部细节的喜剧……拍七君子的艾伦若金怎么拍的？？？好感败光了。说得好像是妮可拉着老公参演了一个很有名气的喜剧，最后婚姻事业都出现危机了，让我联想到现在满地的脱口秀综艺。
拍的很工整，所以就感觉跟流水线一般，没有什么新意和值得回味的地方。全靠演员的表演来带动剧情。妮可和巴登两人扮演夫妻，总感觉没有啥夫妻相。妮可饰演的露西有智慧，又坚韧，可以说是一个十足模范的女性形象，并且在自己的聪明才智之下将丈夫助推到事业的顶峰，但是在感情方面却摔得很惨，遭遇丈夫的背叛，可以说有得有失，但是不妨碍她这样一位充满着魅力的女性形象。
她有三套房子，可她总说自己没有一个家
906｜表现欲爆表的索金这次真是讨人厌，导演水平逐渐下降的同时几乎放弃了正常的推进，于是我们就能看到这样的场景：男女主你一言我一语地搭着，然后恢弘的配乐响起，这时我们才意识到这里似乎很重要。整部电影都是如此，感觉索金拿着个手电筒给观众指点迷津：看！我要表现他们的感情了！看！伪纪录片！看！这个社会议题多么令人深思啊！可惜电影不是指哪打哪的打地鼠游戏，披上年代感的伪装也不能掩盖死气沉沉的事实。妮可·基德曼是压死忍耐的最后一根稻草，看到她那无时无刻装腔作势的僵硬的脸就烦。
你说她爱家吧，情节都是她们两公婆在为事业奋斗。你说她时间跨度不大吧，这导演还乱序回溯。总之就是乱七八糟
完全没有看过传记对象及剧集，没有啥触动，只觉得技术上处理得比较巧妙，剧里剧外现实、拍摄和旧影片穿插互相铺垫推进，表演自然是好的
看得蛮费劲的片子～结束时大舒一口长气！坚持看下来主要是为演职班底的明星效应，其次是春节+疫情叠加的孤独，努力去体会另外一个女人在戏里戏外对家的追求，果然《旺达幻视》一般，完美家庭是主妇梦的幸福终端！至于结果，手动配白眼表情包：“切，男人！”，八卦俗套里的；不坏不可爱，如果靠得住～呵呵，猪都会上树。
影片讲述的那一周她同时遭遇了事业危机和婚姻危机，被非美活动委员会调查，怀疑丈夫出轨，焦虑和不安全感影响了她的思维。
非常好，尤其对比同样的关塔那摩题材（所以加一星，应该算7.5），终于涉及酷刑（或者杀人）对人的彻底毁灭，不仅是被折磨者，折磨者察觉到自己的身份和行为后，同样也会被摧毁。酗酒自杀和日复一日的赌博都是同样的行尸走肉，除非他将责任推给不可抗力，但这同样也是个人灵魂的毁灭。要说什么不满的话，和解没有呈现出足够的力量，除非强调黑皮肤的意义。另外，不知为何让我想起《在巴比伦》，但巴比伦美得纯粹，这里被灯光点亮的城市论画面而言太丑了，只要想到这一片紫红灯光就头皮发麻，但又电影意义上的很美，奇怪的感觉。当然眩晕的灯是美的。能找到让这种灯光呈现出美的方式，应该归功于导演和摄影的能力。
除了七零八碎的时间线外都很精彩。以及，所谓Male ego不过只是爱你不如爱自己。
只剩下针锋相对的对白，抖机灵多了就只剩下抖机灵了，哈，这不是一句废话。艾伦·索金不太会拍。
D— / 在「七君子」中索金满溢的情绪和配合着粗暴但有效的剪辑，达到了超出其本身导演能力的表达效果，而今剪辑仍保持着某种节奏进行，却陷入混乱而自说自话的表达中。观感和「曼克」无异。
聚焦五十年代最火的电视剧《我爱露西》，更多探讨Ball的婚姻问题，其背后又是一部“好莱坞往事”。
不知道是不是喜剧给人的感觉很好演，觉得表演很一般。
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