With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
never giving up and family。永远说不烂
只能说，看这个电影的时候，不到10分钟，已经有几部电影让我有所联想，近的是孔晓振和金来沅演的那部《最普通的爱情》，感觉相似；远的有还是孔晓振演的，男主是河正宇的《爱情小说》更有趣一些。全钟瑞还是burning里面的角色更出彩，没能超越，有点可惜。剧本是硬伤。
睡前看着会会心一笑的片吧 俩人演技都好自然 好俗的剧情但是挺好的哈哈哈哈哈
库尔特·华纳(扎克瑞·莱维 饰)是美国传奇橄榄球明星，他的职业生涯堪称传奇。影片围绕着华纳的励志故事以及多年来遭遇的挫折和挑战展开讲述了， 他是如何从一个杂货店售货员一步步成长为两届NFL MVP、超级碗冠军和名人堂四分卫的。在这个过程中，他的妻子布伦达（安娜·帕奎因 饰 ）以及教练队友都给了他极大的鼓励和和支持。
全五星。三星送给女主的演技，两星送给不把观众当傻子的坦诚。2022年了，还有人不孤独吗？为性而爱，或者为爱而性，都是人生，都是成长，骨子里的寂寞，性也好，爱也罢，给我来一打！
讲述两个人通过社交软件约在一起。两个寂寞或者说是忧郁的灵魂从身体和心灵上都得到慰藉。互吐心声。
3星男主，太帅了。剧情emmmm，男的因为工作去约炮还把过程写进杂志，女的想在约炮软件上找既不用多花钱、又不跟对方恋爱、又没x病的爱情机器，最后俩人日久生情？俩人分开一年重逢，男的道歉➕告白之前的事情就翻篇了，阿？？？
故事平铺直叙，大部分场景都是描述爱情家庭，看不出和其他草根球员有什么区别，至于为什么这么屌不得而知，也许是天赋吧
作为电影来讲确实不咋地，但男女主的表现都蛮好的，好爱全钟瑞啊~
只能说，看这个电影的时候，不到10分钟，已经有几部电影让我有所联想，近的是孔晓振和金来沅演的那部《最普通的爱情》，感觉相似；远的有还是孔晓振演的，男主是河正宇的《爱情小说》更有趣一些。全钟瑞还是burning里面的角色更出彩，没能超越，有点可惜。剧本是硬伤。
男女主都很……奇特。女主的奇特来源于一段失败的感情，男主的奇特是真的……奇奇怪怪，抱走礼金簿真什么迷之操作。很轻松，但总觉得看了个寂寞。
女生也会做春梦。因为无聊才会看杂志。在现实生活中很难达到性高潮，在春梦中比较容易。女主很主动呀，看起来很饥渴的样子。男主有点闷，内向。这个社交APP像是约炮用的。女生听到自己的呻吟声会感到兴奋。其实大家都很孤单。成年人的娱乐喝酒、性爱。为什么总是喝酒呀？一口一个，度数不高吗？
三星半 价值观不苟同 但是拍得还可以 起码看进去了 还想说 金瑟祺还演配角工具人 这…
收尾不行，严重缺乏情节填充，俩人醉酒戏拍得不错，演员状态很投入。
三星半 价值观不苟同 但是拍得还可以 起码看进去了 还想说 金瑟祺还演配角工具人 这…
收尾收得仓促了些，故事也有些套路。另外，孙锡久好帅啊。
三星半。挺下饭的，全钟瑞真的太酷太好看了！
五星给金钟瑞，性感和可爱结合的最好的演员。韩国的优秀演员真是一批又一批！
“杂志短篇情感小说影视化”，有趣也有些动人。
虽然套路都差不多但还挺喜欢看这种成人爱情片的，但是即使如此这种男的也是万里挑一好不好韩国人不要再搞这些不切实际的东西了！！
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