First of all, I have to say that I had huge expectations about the movie. I went to theater to see some mind-blowing action. I was hoping that Åke Lindman had made something spectacular as his last movie. I also believed in his directing talents. Now I sadly have to say that the movie didn't fulfill my expectations.
The movie was a bit bouncing: Going there, doing that, coming back and going again. Different people fought in different places and sometimes it was hard to follow what was happening as a whole. Well this wasn't too disturbing as the movie still was entertaining. Especially all tank-scenes were amazing. The lack of money, which was clearly visible, was maybe the most disruptive thing in the movie. As mentioned in the movie, there were about 250 cannons and mortars, plus bomber planes, targeting the Tali-Ihantala area. But when the "big fight" came, it looked like about 10 guns were bombing the woods with smoke grenades (And I can say this because I have served in mortar company in the Finnish army). I'm sure it looked like that because there were not enough money to make it look realistic. I was also hoping more soldiers running in the woods because hey, it was supposed to be the biggest fight in the northern Europe!
如平静的海面上洒落的阳光一般温暖，几段音乐桥段挺动人，音乐会无声的表演，父亲抚摸着女儿的喉部听歌，以及最后带着手语的入学考试。主题跟法版区别不大，本地化做得也挺融合，女主角的表演很有灵气。稍有不足的是选歌质量，音乐本身的打动力没有跟上电影的情绪。
好像在一片个人奋斗，乐观积极，家庭羁绊的歌声氛围中被完全化解了
很多情节和细节的优于原版了，除了收尾和最后的选歌相比之下有一点点弱，而且人也更加养眼。
原版里可爱的妈妈给毁了,原版励志的爸爸变平庸了他身上的好分了一半给哥哥,原版超抢戏的老师这里也一点不出彩，小男友比原版爱她多一些,但就...不咋重要呢，亲情戏基本毁了,爱情戏也莫名其妙,没个铺垫关键时刻小男生忽然就不唱了,妹子内心也毫无波澜~。
今年最喜欢的电影了。这是认识论的问题，也是价值观的问题，归根结底还是怎么做人的问题。
故事脉络很像《跳出我天地》，
6.7 议题讲得太杂，可就在这山水之间也是漫游居然悟出了几分格物致知的味道，是绝妙的悟道时刻，尽管又被随后而来的商业片思维彻底破坏。
很久没看到这么喜欢的家庭片了。应该会拿一波奖的好电影。
法国贝利叶一家的美国版，剧情水准相对稳定，但唯一不足就是歌唱。
比原作工整匠气了一些，浑然天成的朴拙感略逊色，但好在演员挑得好，也比较完整的保留了原作的情感内核。
好久没看这种温情家庭片了，看得很感动，也有好多好笑的地方。也了解了一下聋哑家庭的独特之处。今年奥斯卡电影我大概就看了两个，如果就让这部得了，也挺好的吧，大家都治愈治愈。女主姑娘很会唱啊，有迪士尼歌曲那个味。哦，还有要给apple的超高清画质点赞！
四平八稳的红脖子青春片，都是20年前的套路。拍得到没啥问题，但是如果能拿最佳影片那只能说是好莱坞电影审美大倒退。不过依然比现在电影院上映的那些青春片厉害太多了。
可能是年纪大了，一部温情小品，又感动到稀里哗啦。但是这个剧本和题材真的太催泪。感谢编导，借着女主角，带我们走入聋哑人的世界，让我们看到太多的不平等和隔阂，也对充满爱、理解和包容的世界心存希冀。
原谅我一直代入苏东坡。一个出身名门，见过世面，致力于打破阶层，提倡人人平等的大家。一个出身低微，企图通过读书出人头地，投身仕途改变体制的年轻人。相识于微，却都无法真正的改变现状。
以及，看这部电影，和《游牧人生》观感很像的一点在于，它们都由对社会的批判和深刻关切出发，最后落在了个体的自我成全之上。这让它们都略显轻挑，但或许也是在今天这样价值混乱的时代里，创作者们真实的内心折射。
3星，很温情，很治愈的影片， 翻拍《贝利叶一家》，内容清汤寡水，情节偏向俗套，也就没那么好了。
虽理想化但还是一样动人，哪辈子才能体会过这么亲密的家庭关系啊
宁静的海边捕鱼小镇，如果没有能够理解对方世界的能力，那就只能留在各自的世界里面。
当然，困难都是制造出来的，可还是如此打动人心，想把原版的看一遍，又有点不想看了。我要哭瞎了……
照日深红暖见鱼
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