Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
林则徐认为，既然不能阻止鸦片在国内流通，那就不要让钱财再让外国人卷跑了。而且当下清朝已经没有什么钱财了。所以林则徐看到了鸦片的暴利，所以，他就提倡在国内种植鸦片来抵挡外国的侵略。这样，外国的鸦片在国内就没有市场了。
说画面的有一些玻璃心了，本来就是描述犯罪场景要多惊艳？反而觉得这种电信诈骗的电影因该多宣传，在中国被电话诈骗的不在少数！而破案率还不足5%！！被骗的家庭有多难熬？多艰辛？国内你们关注过吗？真的是一部很好的题材！
7分，打戏不错，尤其是现如今打戏多数摆烂的环境下，网大拍成这样不容易啊。
这里是缅甸北部，我生长的地方。中国电电影喜欢把这种犯罪窝点设在泰国缅甸，韩国电影喜欢把犯罪窝点设在中国，不知道是不是这原因所以评分才这么低。其实是部很过瘾的商业动作片，电信诈骗国内也拍过，可没有人家拍的这么好看，结局太过美好，现实里可残酷多了。看完电影忍不住想下载国家反诈中心app。
建议翻拍中国版，作全民反诈宣传。既得票房又得宣传工作
这个题材居然被韩国领先了，不得不佩服，respect一下！
冲着谢苗去的，打戏没得说，设计是一般，但是动作干净利落，就是形象比较吃亏，参考吴越，希望能改进下戏路，走的更远。
开场谢苗嘴里的口香糖演得挺好，就是编剧的脑子有些薄弱
挺一般的，混入诈骗组织像小孩过家家一样，没有一点严谨的风格————无语
算是不错的功夫片，但是没啥突出的点，剧情再打磨一下会更好
和灵魂没任何关系。仅说剧情还不错，节奏紧张。
没想到这么耳熟能详的故事还能拍出花样来…比想象中好看！
主题非常好，看来电信诈骗是国际性问题。严厉打击所有诈骗！但是电影剧情真的一般，男主曾经是警察，女主出车祸，男主救了反派得到信任而打入内部卧底等等，全是老套剧情，也没拍出新意。金武烈是为了尝试不同的角色么，已经成名了还回来演反派。
用院线大片的制作水平拍了一个网大的不能再网大的剧本。另外，能看出来谢苗是有点演技的。
开篇节奏不错，对被骗的受害者能产生点共情，后面情节就脱线了。
剧本扎实，前后呼应，最后提高立意的同时，不忘警醒当世，做强国守初心不简单
算是瑕不掩瑜吧，毕竟网大能有这水准在我预料之外了。拳拳到肉的打戏看着还算舒爽，有小时候看港台武打片那味儿了。就是剧情和人物设定差点
无论是服化道还是故事情节都堪称完美，打的凌厉潇洒，而且没有一点多余的狗屁爱情，如果片子里面再仔细表达一下鸦片吞噬人心的吸烟画面就更好了
2021.09.21 在中林街观影
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