IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
更喜欢画面和动作，故事其实一般。大概因为都来自于同一个文化基因，影片所描述的这个江湖，以及人物命运，还有人和人之间的情感关系，还是能引起不少共鸣。
动作片中有溅射的血，更有视觉冲击感，比起前几部的来说
雪代巴之于绯村剑心，犹如本帕克之于蜘蛛侠，托马斯韦恩、玛莎韦恩之于蝙蝠侠，是过往年岁的惨痛回忆与束缚牢笼，却也是觉悟与自我救赎的起源。
浪漫，至死不渝。
这结局在社会主义新中国就没法圆 毕竟我们除四害👏
村花的大饼脸实在难以下咽，巴当年好歹也是清冷女神的，高桥一生的假发子是唯一的磕点。话说那本日记在这里又出现了，不是正篇给了和尚吗？北村一辉怎么出来了一小下就没了
虽然插科打诨爆浆反套路，但看多了还是腻。与其说是风格，其实只能算导演耍的小聪明，这仍然是部亮点不多的超英电影，有着万变不离其宗的剧作模式，也就比工业流水线上的好一些。从商业片的角度看，似乎有点过于胡闹了，够爽不够回味。不懂评论区高潮的点，本以为会是《小丑》《平行宇宙》这种质量，结果也就《银护》2.0。
真·DCEU目前最好电影，露JJ露MM，脑浆四溢，少儿不宜。剧情好看，音乐好听，坐等OST。血腥搞笑反套路，搞怪中透着浪漫，每个角色都很有特色。最后想知道哪里能领养一只鲨鱼王！！！！！
这片能到8.2？扎不扎导放一边。这剧情真是扎心了。特效倒是没毛病，不过这难道不是超级英雄电影的基本？短评全吹爆，长评全是5星人物解析。说实话，前作至少配乐能让人眼前一亮鸡皮四起。这部真没看出来好在哪。剧情还不如海绵宝宝，您给我来个派大星被虐专场？
一开场还在想谁来演桂小五郎呢，没想到竟然是益生菌。村花虽然毫无雪代巴的气质但是也算尽力了，没有原作的音乐效果怎么差了这么多！
剑心的真正最终章，人诛篇更像是追忆篇的超长预告。依旧是漫改的天花板，OVA中把漫画里十字伤的误伤改为巴有意为之，却没有交代动机，主要是观众自行脑补，影片里导演则对于十字伤給出了自己更进一步的理解，不仅对应了俩人结合时的摸脸, 而且还是由剑心握着巴的手共同完成，电影里加入了原创的两段打戏，一段是开头秀操作，一段是和冲天总司，其实我是觉得如果把 斋藤和剑心的对决转到这里效果更炸，也算是圆了漫迷的心愿，而且对非漫迷也没影响，另外，饼哥咋不结尾客串下露个脸，就是字面意思，志志雄大人出来露个脸啊
村花少了股巴身上清冷的感觉，虽然已经尽力演了个面瘫.但是不是我心里的巴.还有个原因是村花的颜值比砂糖低.虽然看着看着倒也能接受.【顺便翻了下豆瓣电影上映前村花剧照下的评论，很多人担心村花演不出巴的高冷.我觉得雪代巴绝对不是高冷，她失去了未婚夫在那是时这是她最爱的人，她人生的火焰熄灭了.这不是一个人从小到大心高气傲目中无人用一句人设高冷能解释的人物.真是越是讨厌越是了解啊.
冲着情怀看的，前几部特别喜欢，到了这一部。血雨腥风成绝响，人间不见白梅香。 良人随雪飘零去，生者独守十字伤。
动乱只会愈演愈烈，往后的京都没有你们这些假志士的立足之地。
先看追忆篇OVA再看这货，可以知道什么叫云泥之别
该死的米国人把别人绑来做实验
4.5.雪代巴怎么这么好，这个角色太好了TAT
拍得相当好，唯一缺憾是这一部拍得太晚了，早十年拍该多好，如今的佐藤健演不出年轻剑心的那种冷冽脆弱感
离了繁多桎梏的Gunn和摘了稳定器的DC简直是天作之合。狂野、古怪、却又充满着有趣的小心思。便当乱撒，反转乱扔、段子乱飞，金曲乱炖，血浆乱溅。在不考虑迎合政治正确大市场下，用大手笔把Gunn对B级片的热爱给勾勒了出来，像是一个饱览特摄开菊、时常光顾录像店的小屁孩在积木游乐场一顿乱作，想玩什么就玩什么，五彩斑斓，天马行空。自kingsman开始发扬光大的暴力卡通化这次用得相当地有分寸，漫画感和番茄酱搭配得妙到肝颤，上一作的故作严肃早已抛至九霄云外，又在玩闹之间把守望者花三个多小时想说的四两拨千斤，不仅黑到骨子里，还夹带着爆表的娱乐属性，当属近几年商业片里的一朵盛世奇葩
值四星，给佐藤健的打戏和飚血暴力美学多一星。
Copyright © 2015-2023 All Rights Reserved
