The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
结尾处直播信号恢复，有一条留言是「anne are you ok are you ok anne」。哈哈
还是比较精彩的，小成本但是血腥程度适中，无脑川粉大战丧尸邪教，伪纪录片形式也不错
恐怖+政治=喜剧，看到女主边打怪物边脏话就想笑
真是不能看抖音推荐，就是把最恐怖的镜头展示一下，然后吸引你看这冗长乏味的片子，真是骗一个是一个！
"We did the world a favor, getting rid of our dad."
全视之眼，倒十字架，嗜血，恶魔形象，反人类行为，污秽的物体和语言
bfi1廳幾乎坐滿了，大家一起被美國人笑死，觀影體驗不能更好！
后疫情时代的疯批伪纪录片，手机像素的极致体验。
事实证明一类片得足够有趣才行，另一类片够疯也很爽。这部就是足够疯足够爽足够wtf的
失去人性才能活下去？（女主时来之前杀了母亲还是来之后在幻境杀了怪化的母亲？由你们自己界定。）
除了怪物造型还行，其他乏善可陈，而且是dark end
My eyes and ears are bleeding... #TIFF 2021
1.剧情大杂烩，吸血鬼、邪教、怪物一通乱炖，没有任何前因后果的交代；
女主满足了所有白左的特点：说话声音大，话密，体力好，嗑药，爱直播和不戴口罩（滑稽）
还ok吧，这种伪记录的恐怖片也交代不出来太多前因后果，更何况从始至终也没出现过几个人，一些政治指向的言论不做评价，ok，谁想一直戴着口罩啊。
刺激 quelle rappeuse 川粉战斗力未免过强
也许是我没看懂吧，但是电影给人感觉非常糟糕
怎么做到的运镜氛围场景都不错，甚至怪物也有意思，但剧情就是稀巴烂呢？啥都掺一脚显得格外四不像
片尾以说唱形式说出演职员表，有点创意，歌词更劲爆。故事没啥，就是形式上紧跟视频拍摄新技术。
铺垫太冗长了，本意是要强调少数族裔非法移民女性的困境，但东一榔头西一棒槌，反而把悬疑打散了。后半部分女主与死去的女性们对视，以及她们目送女主的献祭之路还是挺悲伤的。怪物设计也很棒，美与诡异都有，反而开放式结局觉得有点没必要，但女主出去也是没身份的弱势群体，留在宅子里献祭男人也许也不是很坏的选择吧。
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