Future of Food In the past year, we have seen food riots on three continents, food inflation has rocketed and experts predict that by 2050, if things don't change, we will see mass starvation across the world. This film sees George Alagiah travel the world in search of solutions to the growing global food crisis. From the two women working to make their Yorkshire market town self-sufficient to the academic who claims it could be better for the environment to ship in lamb from New Zealand, George Alagiah meets the people who believe they know how we should feed the world as demand doubles by the middle of the century.
【India】
George joins a Masai chief among the skeletons of hundreds of cattle he has lost to climate change and the English farmer who tells him why food production in the UK is also hit. He spends a day eating with a family in Cuba to find out how a future oil shock could lead to dramatic adjustments to diets. He visits the breadbasket of India to meet the farmer who now struggles to irrigate his land as water tables drop, and finds out why obesity is spiralling out of control in Mexico.
Back in Britain, George investigates what is wrong with people's diets, and discovers that the UK imports an average of 3000 litres of water per capita every day. He talks to top nutritionist Susan Jebb, DEFRA minister Hilary Benn and Nobel laureate Rajendra Pachauri to uncover what the future holds for our food.
【Senegal】
George heads out to India to discover how a changing diet in the developing world is putting pressure on the world's limited food resources. He finds out how using crops to produce fuel is impacting on food supplies across the continents. George then meets a farmer in Kent, who is struggling to sell his fruit at a profit, and a British farmer in Kenya who is shipping out tonnes of vegetables for our supermarket shelves. He also examines why so many people are still dying of hunger after decades of food aid.
Back in the UK, George challenges the decision-makers with the facts he has uncovered - from Oxfam head of research Duncan Green to Sainsbury's boss Justin King. He finds out why British beef may offer a model for future meat production and how our appetite for fish is stripping the world's seas bare.
【Cuba】
In the final episode George Alagiah heads out to Havana to find out how they are growing half of their fruit and vegetables right in the heart of the city, investigates the 'land-grabs' trend - where rich countries lease or buy up the land used by poor farmers in Africa - and meets the Indian agriculturalists who have almost trebled their yields over the course of a decade.
George finds out how we in this country are using cutting-edge science to extend the seasons recycle our food waste and even grow lettuce in fish tanks to guarantee the food on our plates.
He hears the arguments about genetically modified food and examines even more futuristic schemes to get the food on to our plates.
老美的温情科幻片永远是关于中产精英的，只有他们会在占着各种技术红利、享有最人性对待的同时还逼逼赖赖叽叽歪歪
演技没话说 抛开科幻的设定 内核找的角度无新意 没有打动我 Awkwafina有小惊喜 潜力挺大的
他有爱身边之人胜过爱自己的无私心肠。
尽管我感觉如此难过
真相并不重要，人情世故才是。
女性独立的启蒙，居然是雷德利的作品，一点儿不玄幻，剧中大多数男人和女人的智商也都不在线。可能只是面对巨额投资，雷老头想玩玩以前没玩过的罗生门叙事吧，顺便组个对得起投资金额的卡司阵容。
这就和“家人得了癌症到底应不应该告诉他”一样陷入一个伦理困境，我觉得前者是对病人本身的不公平，而后者则是对家人的欺诈，这个故事恰好可以让我们好好思考一下这个问题。片中的高科技给我留下了深刻的印象，最大的愿望能有一辆无人驾驶的车，我就再也不用为自己学开车发愁了。
前面好长的铺垫都是说领土问题、政治问题……看的时候观感还行……直到第三部分故事的重点才放到了“女主”身上，这一段故事很简单，把女主因为遭遇强奸而捍卫自己的权利一一剖析，导演编剧也做到了尊重历史，剧本贴合历史地为观众揭示了古代男权统治下的顽固思想、君主专制制度的专权、法国贵族的淫乱生活等 PS:能在一群老戏骨里看到Alex Lawther的戏份相当快乐，演什么像什么大概就是说他这种演员了！不得不说很多英国演员真的是绝绝子！我看好他！
40岁的阿明拿魔改竹林中拼命讲道理。雷老头一大把年纪却玩弄细节搞这种小幽默实属文人和宅宅的区别。
第三段女主视角时我一度以为男主母亲是故意制造了女主独自在家的条件。。。
我说前两个男性视角怎么看得让人焦躁，那不就是两个同事在年终kpi考核述职的时候，拼命粉饰自己，抹黑别人？
Respect the subject and all the design and stuff but nothing more.
严肃题材娱乐化，无异于对当事人的二次伤害，女人拼命拾起被践踏的尊严，男人轻而易举就成了笑话，看完如果觉得好爽，那真是千百年来女性的悲哀，即被当成工具和筹码而不是大写的人，雷公被本马达绑架了就眨眨眼吧
章回体罗生门叙事，与老雷擅长的古装史诗战争片不同，几乎没什么大场面，最后马特大战亚当的比武审判算是全片唯一的高潮，主题类似最近的《扬名立万》，立足点在于对当时男女不平等地位的呐喊控诉与抗争，老雷在《末路狂花》为女性发过一次声，这次借古代的故事又再次发声。整体处理得太过工整，罗生门视角的确是容易方便塑造人物，但不同视角亦没看出变化，悬疑部分甚至削减得很稀薄。再怎么数落不如人意之处，也不要否定本片是一部好电影，这年头还敢碰史诗片，除了老雷也没谁了，实际上本片的票房确实很惨淡，不知道投资人还会不会给老雷投钱。故事简单到可以一句话概括——我把你当兄弟，你却抢我地盘，占我爵位，奸我老婆。就是这样一个简单的故事，配合恢弘的场景与大气的配乐，响应现代主题的内核，足够让你享受这一场观影。大本真滴帅！！！
列车，湖边画画很美好
中规中矩的水准之作，没有太多惊喜，但质量没话说，三位主角的演技也都统统在线。三个章节三个视角，细微的差异让重复变得富有层次。在大量的铺垫后，最后的决战戏也足够精彩。朱迪科默的注视下，那《角斗士》般的生死决斗显得如此丑陋，讽刺至极。决斗场上的一次次激烈的反转，早已没人在乎这两个雄性动物的优劣，只剩对朱迪科默的担忧。结果为何已不重要，父权制下的女性命运在这场决斗中被丢上了决斗场，身不由己的痛苦在一次次拉扯中被无限放大。
故事其实非常好，罗生门的角度改编了一个历史真实事件，但是节奏真的慢
作为科幻的创意不算新鲜，但故事重点更多在人文情怀。这类未来科技走进平常人生活的故事相比前些年已经大量淡化了惊悚元素、更多以理性的态度来探讨科技的影响，可以说未来即是现在。
中世纪中女性的沉默在现今才真的被看见。“孩子需要母亲多于一个正确的人”，男人要为荣誉名誉而死，而女人想要活下去，但这并不是被贬斥的贪生怕死啊。
非常有趣而深邃的一部电影，当时的性关系是封建欧洲的等级（封臣与领主）关系的镜像，再次揭示力比多、ego与政治的隐秘纽带。
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