With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
怪兽的设计有点难以符合审美
……我为什么要看这么一部电影？情节低幼老套，逻辑混乱，主角也没啥成长性。画面精细程度甚至不像好莱坞作品。我真的觉得还不如国产的熊出没系列。
这个故事好像梅西七夺金球远赴巴黎之后他儿子在巴塞罗那开始了职业生涯…故事老套啊 流水线生产电影 6.3
音乐的动画很喜欢看，很有趣，轻轻松松的又向上。我们没必要一定要成为谁，我们可以做自己，变成可以成为的样子
幸存者真的很“幸”吗？他们带着痛苦的回忆，甚至与噩梦同眠。但他们不幸吗，也不是，毕竟生就代表着希望，可以重新来过，可以重获幸福。关键在于如何看待过去，如何目向远方。
看着玩吧 比较老套路 画面还是不错der~
通过独一无二的自己创造属于自己的荣誉。
不深究剧情缺点，就我闺女非常爱看此部电影这一条，就够了
非常普通的怪兽电影，没有记忆点甚至，傲慢的触手鲨鱼头海怪和成长型牛头怪兽的战斗也太无聊了。
典型的爆米花电影无惊无喜，信仰力量多么伟大那一套早就腻了
四星给的是人物传记，电影就要啥没啥，没什么意思。
活在光环之下，我们依旧是我们自己
美国老套情节，不好不差，可看可不看，动画还是很优秀的
WWE电影工作室。主线就是活在“父辈光环”下的少年（兽）突破自我，实现自我价值的主旋律摔跤动画……只是都十多年过去，还在玩“i'm going to take my talents to Miami”&“LeBrontosaurus”的梗多少有点过时且低级。
音乐挺不错的，最后全员跳舞也挺乐的
老套的好处就在于，只要不整幺蛾子，就不会难看
很正的体育文化，同时告诉我们，体育俱乐部的社区建设，不能压住在明星球员上。
一般，很套路的片子。
剧本老套单一了~没啥悬念伏笔~纯粹是挑战自我的鸡汤了~感觉就是把人类摔跤换成了怪兽~
美国老套情节，不好不差，可看可不看，动画还是很优秀的
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