Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
日漫的痕迹太重，从画风到节奏，灰太狼开篇我以为戴了红太狼的美瞳，三星半吧。
一整个大不理解，无法给分。同学说12年前一起看了虎虎生威，那就来画个圆吧。12年过去了，杨村没了，都进城务工了，连狼都不吃羊了。被逐出羊村的我们终于成了无聊的大人。
第一部电影的时候我还在上小学，现在已经是讨厌的大人了啊。
总之，现在的喜羊羊比前几年强了不少，但也再难及《羊羊运动会》《古古怪界》巅峰，狼吃不吃羊很重要，但也不是绝对的核心。而我也终于长大了，不必重温旧梦。
大致的剧情都能猜到。。。感觉很多篮球的电影都这样，回表，翻盘。
对于喜羊羊来说，回忆大概也就定格在生肖电影上，这部筐出未来，画风确实跟之前不一样了，之前的人物是为了可爱，这一部更加拟人化，让主角身材和颜值都更好了，尤其是美羊羊，剧情上来讲，感觉现在的励志片都有周星驰的《少林足球》的影子，无论是剧作上还是元素上。PS：电影名字还是叫喜羊羊与灰太狼，但明显感觉灰太狼光环被削弱了很多，喜羊羊反而更加C位了，挺可惜的
2.剧情不说多高明起码立得住，三段式模板放到成人动画甚至剧情片里都没问题。
/chy/女朋友喜欢看就行，她来写吧：看个乐呵 得劲
患者的弱势地位太明显，女主惨得我大哭
最近看了两部子供向，感觉子供向的问题是本子不好，非常俗套没新意，可能因为小孩也没看过多少电影，而且剧情不是他们评价电影的关键，所以做子供向的时候也就理应不需要注意这些。比较好的是篮球的部分还算比较有模有样吧，作为一个篮球基础知识只有《灌篮高手》的观众看得比较舒适，不过有人全程没下场，打到最后居然也没有连滚带爬的，不大符合常理（？）
还是原来的声音。
春节档的动画片，都能明显的感觉到是要兼顾给大人看的，对小孩子的吸引力可能会没那么强。
我宣布喜羊羊是今年春节档天花板😋
顶着喜羊羊的IP，其实和喜羊羊不说是关系紧密吧，也能说是毫不搭嘎了。
陪外甥女看的，其实前一个小时我都在睡觉😂后面醒来后看了半小时的，但是同场的小朋友都看的好激动，幼儿向的动画片能达到这个效果已经是及格了。
“喜羊羊，我们认识多久了？”“五千多集了吧。”谁能想到，2022的春节档有多烂呢？就是连喜羊羊大电影都能杀出重围进到top区的程度。热爱，永远可以成为你继续下去的理由
一次失败不算什么，一次成功也并非能够改命。跌落谷底并不可怕，可怕的是失去斗志的沉沦。最大的敌人只有自己，最高的巅峰就在明天。逃避永远解决不了问题，面对才是唯一的答案。梦想能够点亮人生的意义，热爱能够搅动世界的齿轮。篮球绝不是一个人的战斗……
跟熊出没我所诟病的地方很相似，但是我就是偏爱了吧，或许结尾守护者队输掉，然后坦然接受更能让我喜欢？人物塑造仍旧是极其成功，剧情的展开也很紧凑到位，喜羊羊摆脱掉心里的伤病问题的爆发，那一段的电子音乐超级棒！还有这部里面加入了rap元素也是很好的。
其实还蛮不错的 虽然我个人对篮球这项运动不是很了解 然后再加上电影中该燃的点我的感染度还不是很高 但不失为是一部十分优秀的子供向动画 虽然文戏部分很薄弱撑不起来 道理叙述稍显生硬 对于已经成年人的我 热爱一词涵盖所有已经不是我可以完全接受的了 但是 看到社畜的灰太狼 重新投入球场 不知道为什么 那股劲就起来了
不为别的 就那一句
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