"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
还以为是恐怖片，很多智商着急的低级失误，硬是要把宗教扯进来。
两个多小时，你说看懂了吧，也没没看懂，你说没看懂吧，也看懂了点……就有点无聊，又有点意思。嗑药那段超级绝，哈哈哈。
虽然这个片子也是5点几分，但他和小时代那个5点几分绝对不是一个概念吧，强烈建议豆瓣把评分系统分成中国赛区和西方赛区
我喜欢！套娃式荒诞太欢乐了！人在现实和虚构中的处境是荒诞而尴尬的；电影在现实和虚构中的处境也是荒诞而尴尬的。而作为观众的我们也正处于同样的荒诞。中段叙事拖沓，口感松散，如果从头到尾保持口感紧实就很好。
看完有点燃，让我来梳理一下这个篇幅结构......开篇用全员出动索敌引入主要矛盾势力，然后内部的反派间谍引发了deku和洛迪的惊悚逃亡戏，紧接着是双主角的公路温情戏，最后收束到喜闻乐见的救世大战环节。这个叙事节奏（特别是前2/3部分）不禁让我怀疑是在看复联时期的漫威电影（美队2呢）或者碟中谍这样的电影= =。虽然这些桥段在类型片里并不新鲜，但这是bo ku no hero academia的剧场版啊！拍得简直像是在前者的基础上巧妙地融入了你英的背景和元素，相比第二部剧场版rising的剧本，层次丰富了不止一个档次。最后的战斗自然免不了骨头社一段秀技术的战斗演出，duku的极限表示：你还要突破我多少次才肯收手？psss小范围的侦查个性英雄（点名章鱼和耳朵）真的有点尴尬，大场合下的发挥空间是越来越小了。
剧情没有严重硬伤，女主内心强大 坚毅，整体比较温暖向
怎么说呢，看着看着，我觉得他们正在拍的大烂片《悬崖怪兽》可能比本片好看。。。
I actually love this stupid film.
为了纪念疫情曾经来过的恶搞之作，平庸略有趣，自嗨的成分多。
疫情期间，无聊的演员们拍了一部无聊的假纪录片，给无聊的观众解乏。
说什么宗教隐喻，圣经里直接夹钱，太赤裸裸了吧，就是圣经版黄金屋呗
20220412 So funny and spot on.
真的有点浪费时间，但又觉得很贴近现实生活。废青如此，不如看戏。
网飞出的此类电影真的是美国网大，只不过明星多，所以可以看，然后看完再骂它烂。
我看的这是机器翻译的字幕吧！
另外，苹果烂了一点不是应该整个扔掉吗？
快乐针为什么可以戒掉？而且孩子没有成瘾，编剧在忽悠正常注射毒品能轻易解除！
网飞简直是把观众当傻逼，《泡泡剧组》本质上就是美国那批不入流的山寨大电影，套了个疫情大背景的讽刺喜剧，就当自己是重点影片了。整部影片用夸张的手法，还原了一部大烂片的创作过程，可影片本身的烂，也让这部烂片制造的过程更显乏味无聊。反过来说，影片反而还有了某种套嵌的观影感受，用烂片展现烂片，烂的double，简直煎熬。搞一堆上世纪的古典笑料，套一个当下的现实困境，太无趣了，远远落后于时代。
合格喜剧，毕竟正如片子结尾所说，就是帮大家在艰难时期分分心，乐呵一下，何必那么认真呢
就是那种一打开就知道 “我是网络大电影”
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