This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
比起巴霍巴利王的剧情差点，但是摄影和特效又上了一个台阶，看完才发觉是部印度红片。
尽管前面救妹妹的亲情戏、事件的连贯、兄弟情谊，特别是对印度文化没有深入了解的人，这些都是让人看下去的动力！
比起咱们的战狼 印度战狼战斗力更爆表
朝鲜被日本殖民过，所以如今两国势不两立！印度被英国殖民过，所以骨子里讨厌英国鬼子！台湾省被日本殖民过，如今对鬼子俯首帖耳，斯德哥尔摩综合征啊！
这尼玛抗英神片啊！！！突然觉得大家对国内的抗日神剧过于苛刻了。。。
电影拍的真下血本，一看就没少花钱，场景漂亮。
220607看过：
虽然比姆逃亡路上遇到拉朱的未婚妻太巧合，越狱那段略夸张，但是还是很感人很好看，两人人都为了自己坚持的目标而奋斗，挺像神奇的动物邓布利多和格林德沃的对决，不过还好两人误会消弭。
画面不错，特效可以，不过这剧只能是“神”片，因为里面的两个主角不是人，是神！
全是套路，没有真心啊这，虽然爽片也不需要什么剧情就是了。。。另外中印的民族主义电影居然是同一时期爆发，也是离谱。
别管合理不合理，看着爽就完事了
我就说怎么一股巴霍巴利王那味儿，原来是一个导演。俩人直接一顿帅气的配合把驻印英军一锅端了！虽然是抗英神剧，但是就是看的人热血沸腾，爽就完事了……
感觉国内演员和阿三的一比都差一大截，至少人家能实打实的跳一段
如果这部电影引进内地，片名请记得叫《犇犇犇》
看一下印度的大制作爱国主旋律电影，倒也是另一番滋味。在主旋律的基调上，不忘放一些“咖喱味”的东西在。不过，单从这个简单到不能再简单的AI剧本来看，原来不论国籍和历史，主旋律输出的方式，真的可以说是大同小异。手撕鬼子，并不只是中国特色。
印度版抗英神剧，就是不知道白人妹子为啥能欣然接受同族被屠的？
《RRR》这部影片和《长津湖》一个性质，各种夸张的打斗戏份层出不穷，一部煽动民族情绪的神作，整部影片比较无脑，故事庸俗可笑，但是这部影片凭借着强烈的视觉效果，逼真的火爆场面，迷人的音效设计以及精心编排的舞蹈不至于让这部三个小时的影片枯燥乏味。导演也充分利用了每一个场景，适当的动作节奏和特写镜头处理，避免了感观超负荷，《RRR》这部影片的微妙之处就在于向众人传递出了一种无逻辑的追求刺激感。
而这种歌舞元素让他们的导演在动作和造型设计上面的功力尤其出众 值得借鉴
封控最后一天，看看阿三的开挂片，图一乐也不错。
只有凯奇这种演了这么多好片和烂片的演员才拍得出这种电影，fucking cool！
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