UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
需要再同步上映下前两部，完全毫无印象….看了三分之二都没进入剧情
To 罗琳：写不出来算球了能别瞎写吗😅开头血盟是为了感情我就？结尾摸着胸口问还有谁会爱你我真的大受震撼😮这真的不是什么感情线强硬发展的同人文吗？谁要嗑这种工业糖啊👊所以邓布利多的秘密到底是什么？为什么谁好谁坏人自己看不出来要靠动物啊？为什么魔法部选举要去不丹啊？我真的满头的问号。当然魔法氛围还是不错的，纽特的蝎子舞也很喜欢，但有这个时间我不如再看几遍哈利波特！
主角Newt和神奇动物已经成了挂名主角，这个系列看到第三部基本可以肯定主线和他们没什么关系了。邓布利多在这个系列里的形象和在HP里的形象完全是脱节的，仿佛只是叫同一个名字的另一个人。HP里的邓布利多受人敬重，人们为他死，我都是相信的。可是在FB里的邓布利多，随便一句话就一呼百应，他什么都不用做，就有很多人愿意为他舍生求死，我却无法信服。另外，虽然换角了一度不适应，但我觉得麦斯叔叔演得真不错。
魔改之后，敢情神奇动物系列的各种灾难都跟老邓家颇有渊源，没有邓布利多家族就没有这么多破事，这种结果难道是原著的意思吗？所有角色都被天选纯良的设定变成了弱智，靠老粉的GGAD情结和演员演技苦苦支撑。视效一如既往拙劣。影院看完之后丝毫不想推荐，回家反复复习HP系列，我是说我把1–7来回拉了两遍，David Yates，但凡是他执导，都是魔改，从此拉黑。
For G.G.
九成九的镜头都是平庸愚蠢到无以复加的铺张浪费，真就不愿意多花点功夫让视听变得有那么一点点意思嘛，时隔六年再看这个系列发现还是那么难看，宽心了。邓布利多和格林德沃打到一半突然互相同时袭对方胸的时候，脑内自动播放唐可可语：「真爱，这是真爱啊！」
劇情挺簡單的，不像1和2一樣謎語人，但劇情普普，不咋D，全片也沒有高潮似的
这个系列就好像，现实中言说不尽我们才投奔魔法世界，可是当魔法对应现实越来越具象，格局好像在缩小，魔法正逐渐消失……全程靠turner撑着眼皮，小雀斑醒醒吧你不是霍金！（面瘫女主没什么戏份算是个安慰……
…如果没有小说文本的支撑，想做一部爆米花外传还可以，但如果真要传承Hp正传的光耀，就这么靠观众情怀和世界观补完干拍下去总将成为无根之木、无源之水。为了增加观众悬念而新增的人物太多，以致于到了第三部每个角色根本都是顾头不顾尾，在结尾居然还能勉强收住真是让人捏了一把冷汗
皮箱的数儿对不上啊，复制了6个，加上原本的，一共7个。可只有5个被拿走啊，还有2个呢？
所以邓布利多有什么秘密？感觉有点无聊的一部。麒麟选举领导人的这个是不是跟中国古代一些个传说很像，比如金瓶擎签之类
如果不磕cp的话这部片真的是寡淡如水，剧情是什么？每一个人都一脸不知道自己在干什么又好像知道一些事情的样子，邓布利多的计划有没有迷惑到格林德沃我不知道，反正是真的迷惑到我了……好人坏人都是干站着看对面操作，结尾一个个排队走上不丹大舞台开始表演都给我看笑了……罗琳这剧本确实为了cp党而生。P.S.格林德沃带麒麟泡的池子难道不是拉撒路池吗？？？
皮箱的数儿对不上啊，复制了6个，加上原本的，一共7个。可只有5个被拿走啊，还有2个呢？
这电影怎么越拍档次越底了，搞的好像某些电影车工流水线上下来的作品，给钱就能拍的那种，我记得哈利波特宇宙明明更有逼格的。
格林德沃是大独裁者的默剧表演，邓布利多是NPC工具人，延续的致命问题再次证明该系列过早被政治正确荼毒，空洞愚蠢的价值观输出，介于魔幻童话和政治寓言的模糊不清，死板生硬的情怀贩卖，毫无拓展世界观的野心，人物全员降智，一切机械的念白和剧情都把摆烂扔在屏幕上，全线2d放弃跃幕的惊艳，特效还不如十年前正传精致，神奇动物和魔法世界各演各的，像是纽特和忒休斯之间尴尬的表演，米勒是华纳高层亲儿子吗，每次瞪眼十分钟，然后出来做个演讲。偶尔发几段糖，填填剧情娱乐度，又拿滥情扩张一下人物线，再引几个少数裔或黑人出来，既不同人文，异域文化的谄媚也不奇幻，不过是英国男人卖腐走秀。可以拍烂片，但能把每一部分拍的模糊不清也是种本事，多出一星给水准正常的配乐，
7分，没有太多惊喜，但也还是符合预期。没想到电影一开头就有台词删减，还好之前预告印象深刻，直接人工嵌入，从超越同窗之情到老对头，最后那句“除了我还有谁会爱你”还是很扎心，天才之人往往是孤独的。相对于前两部，第三部更主要讲的还是魔法世界的故事，争夺麒麟也好，竞选统治者也罢，唯有心善之人才能得到他人的尊重与认可。
小学选班长真是笑死我了。刚分手的邓布利多坐在婚礼门外的长椅上却没有一个人邀请他进去，也太可怜了吧。另外米勒到底是谁？什么叫他也是邓布利多？
也太烂了吧，简直像个突兀的半成品。看出来剧组没钱整特效了，两拨人仿佛在站着面对面用嘴炮魔法…
终终终于去看了神奇动物3（一大堆影评说是大烂片，不敢去看，其实就…还好）片尾最后一幕真的是刀：纽约的雪夜，孤零零一个人坐在夜幕下的长椅上，雪花落寞的在身边飘下。马路对面是灯火通明的面包店，里面欢声笑语，空气里都是甜的。血盟已碎，终于没有借口不去正面对抗自己曾经的爱人了。
1、本片最大的意义在于，在这样的大制作主流电影中，同性恋情节不是可有可无的添头，而是比较重要的线吧。2、观影心路历程&本作与前作《格林德沃之罪》的比较 ：https://movie.douban.com/review/14482685/
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