Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
看到一半看不下去了，剧情太韩国了，主要是女主不是我的菜接受不了
不过，可能，也许，大概，会和John Wick，或者小人物，冲突了？
蛮好看的，各种商业元素都有，看得也过瘾，主要是女主太可爱了长得，是不是寄生虫那个女儿啊，车技不错拍的，本身是非正规职业但很讨喜。
没看1因为据说那部代入老头儿不爽，看了2，爸爸世界第一爱你哈哈哈哈
飙车戏比不过速度与激情
之所以再给五星，是因为男主再次的精彩表演，鼓掌~~~剧情其实在女孩被抓走，结果是自己的亲生父母要用心脏，而母亲还是制毒药师的地方，让人觉得喷饭，太俗。且同样的2位编剧让犯罪团伙里有恻隐之心的人救老头一命，一是有可能，二这样也很合理。盲人听声水战那段还挺唯美。还有一个非常重要的线索，便是狗狗的出现，狗狗是盲人最忠实的朋友，由狗狗带领他走向复仇之路，真的对头。这种类型片已经不是恐怖，简直是由惊悚变为动作片。本核是弱者的反击，但终有一点，你对男主有着恻隐之心般的同情和理解。
素丹上次綜藝駕駛露營車已經覺得很帥，今次飆車加動作場面，加多一星。
盲眼战斗设计的挺巧妙。和第一部的调子不太一样，但依旧算是完成了人物的转变。第二部变成了浪子回头的硬汉，还是海豹突击队。预测第三部就会顺着这个往下挖。挺理解的，毕竟family侠最初也就是个偷DVD的小贼，你看现在，一部一部做大做强。
意料之外 令人惊喜，盲人老头的战斗力惊人，人狠话不多，女主小妹妹也不拖后腿，结局大快人心，是近期看过最爽的爽片了。
继续是夜盲大兵暴力，此外人设、动机、推动力都被偷换了，只是依旧卖暴力，最后狗舔手明显是看票房%
上一部的恶趣味没了，跟上一部女主的联系也没了…看到躺尸还是要预先补枪。
电闸室一躺，水洼听声辨位太牛比。作为续集算合格
其实还不错的！但是一部分憨批把这片说成女版大叔，简直在误导人！类似于极速猪杀……真的服了，你们脑子都是装米田共了吧
第二部成了没有新意的同犯罪分子的电影。还是希望第一部的bitch出来受死。千万不要有第三部了。不屏住呼吸好像完全没有问题。
这姑娘不跑偏的话，未来可能是韩国影圈的一面旗。故事很简单，完全靠演员撑起来的一部片子，娴熟的流水线作业，节奏、画面、气氛都是非常成熟的商业电影。
看完觉得这老头真就一人间悲剧实惨，不过第二部剧情跟“Don't Breathe“没半毛钱关系。一路砍杀一路爆浆的场面看得倒是蛮过瘾，中间的反转也还有点意思。名字换换吧，换成《谁动了我的“闺女“》「Who Kidnapped My Girl」好点。
爽片无疑，几乎是上来就开干。除了主角依然是盲人老汉，几乎跟第一部没什么关系。有几个地方看得人肾上腺素急升，特别喜欢前面小女孩躲避坏人的那段长镜头。
黑得看不清😅 通篇jump scare穿插简单剧情想啥呢？ｌａｚｙａｆ
洗白了，也更强了，唯一失落是没看到女孩也变成杀戮机器，已经不想看被拯救了，只想看父女联手疯狂输出，里面的一些小设计不错，比如铃铛，比如留了狗命有了用途，有些巧思。有趣的是有时候坏人反转的设计只需要一点细节，比如老头杀人强奸监禁，但他是个好老头儿，他不肯伤害狗丝毫，还折返去救狗。btw，我实在受不了了，外国人为什么动不动就肯烧房子，还不容易攒的一个房子就那么一文不值吗，
“开车也是我，打架也是我，你算什么男朋友。”
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