The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
“Fourteen months into the shutdown. The first audience returns to Broadway. “两行字一出来就泪了
太太太好看了
Tonight we honor what was lost, But we also commemorate what we found❤️
形式惊人，转场等各种充满想象力。分扣在歌曲并没有特别抓耳。
they say no man is island but island makes a man...心灵鸡汤确实很容易把人眼眶灌湿
就音乐而言，没有印象很深的（其实是被女机长的那段吸引来的，结果发现在全篇里篇幅就一小段……）
What we lost then what we found
故事素材不用说。关键是舞台形式，给人启发。
上海版：come from near 邻里关系的重建和冷漠疫情政策形成鲜明对比
世界不是孤立的，人类的悲欢可以共鸣，穆斯林是要被搜身的…
真的很棒 一组人 一个场景 分饰多角 那种困境中的互助 爱和信任都是那么慷慨。结尾那么动容的Be an inlander，做个这样的岛民，才能让我们都不变成孤岛。那是20年前 今天一切变好了吗？屏幕上有多被感染 屏幕下就有多沮丧 失落与绝望。
哭傻了，the door’s always open in Newfoundland, welcome to the rock!
飞机撞向大厦导致领空关闭，疫情蔓延全球所以剧院停业。偏远小镇的居民给予外来乘客最大的善意，911二十周年的官摄弥补天桥未能上演的遗憾。在这样的双重意义下，CFA所展现的美好品质更显得弥足珍贵。
救援物资里提前考虑到女性用品；语言不通就让我们用圣经来传达
太感动了。就靠几把椅子让观众面前出现了那么多不同的画面。
me and the sky太好哭了！！！！
除此之外，剧本本身对911事件给美国社会心理带来的各方面影响的刻画也是相对比较到位的。
翻开圣经就打破了巴别塔，募捐时推掉却打开钱包偷偷写支票，总有足够的细节让我从头到尾掉眼泪，这样的作品就是我总是想念这个世界的理由。
完成度很高，紧凑，热闹，张弛有度，音乐好听，人物立体表演到位，调度清晰明了，动人而有大能量…我国的主旋律可以参考这样的叙事。记住了这些人，和Gander这个地方。
看完后，国内的音乐剧差的不是一点，唉～还怎么进剧场！！
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