Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
向旧时代的西部传奇献上一曲挽歌，用最正统的西部片形式，没有任何炫技、戏谑，在朴实的摄影与平缓的叙事中，蕴含巨大的情感张力，故事短小，人物很少，悬念贯穿始终，最后的反转更像是宿命~~~
3星，故事简单，缓慢沉闷，但质感不错，有西部片的浓味。
完成度很高 每个人都有强烈的人物风格 老枪手要不顾一切救那个年轻人 是对自己小时候被救的一种报恩? 这个设定与他整体出世的态度存在矛盾
传奇英雄，永恒话题，以一敌十的个人英雄主义。画面唯美，摄影感人。
喜欢这种不含任何夸张成分的西部枪战，纯写实的拍反而很有代入感。混乱的枪战哪有机会让你耍帅，哪有百发百中，哪有无限子弹。大侠挨枪子也挂，跑两步也喘，开枪也得瞄。在那种混乱的世界做个好人自力更生是最奢侈的幻想。
大哥演了那么多配角，终于干了个主角，一如既往的狠辣。
非常Pure的西部体验，追踪、枪战，足矣。
传统老套路，能看，且其他都很好，唯有最后枪战配不上先前营造的氛围和超高手的水平
开头我就认出了警长就是刀锋战士里那个吸血鬼，还这么狠，这丫的没救了
别惹农民阶级，里面藏龙卧虎
熊孩子穿越来的吗 格格不入啊 怎么长大的啊
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
节奏慢得惊人。为毛要先安排一场拿长枪与匪徒对峙的戏？
味道很浓的西部片，同样是一个人干掉一个团伙，但是比小人物、疾速追杀这种无脑爽片有味道
少年去流浪，老爹先埋葬。血在你身趟，世界不一样。
没错，亨利就是比利小子，那个西部片中的传奇人物。稳稳当当的讲故事，顺带致敬经典、彰显自己的西部血统。
就是杰森斯坦森电影常用的隐退大佬扮猪吃老虎的庸俗套路嘛，搞个小孩子挑逗观众情绪，结局大反转，这些手法都玩烂了，换张皮分就能高那么多。看斯坦森打架不比看这糟老头打手枪强？
只是tmd活在这个奶头乐的当下，
好久没有。
节奏慢得惊人。为毛要先安排一场拿长枪与匪徒对峙的戏？
Copyright © 2015-2023 All Rights Reserved
