With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
身體上長坑 太cult了 從哪兒咬都不合適
青春伤痛文学，学生恋爱+大尺度，一些定式往里塞。在剧情中穿插意识流/蒙太奇，好像在升华在推进，但说到底叙事（逻辑）没打穿。🙁女主爱情的附庸的形象看着很不快，以为能够感动和改变男主都是幻想，渔港“分手戏”太生气了🤨
4.4/10 没办法，大了，看这种电影就一个词:幼稚
几乎全程见证了一部国际水准动画片从开发到上映背后的努力和艰辛，更是极少数能用好莱坞团队讲好中国故事的先例！
比国产少儿动画要好一些，这种有本土元素融入的中美合作可以多尝试，至少不会只有低幼。
这电影国内院线把查宁的屁股一剪就是比烂更烂
很好看诶，怎么毫无动静，一边看一边在疑惑弗拉门真的存在过吗？😂😂😂，甜甜圈很可爱，最可爱的反派小狗狗也戏精满满。小恐龙也很可爱，有一些贱贱的笑点
7分，属于合拍动画片里最不尴尬的那一类，最主要的是这个形象真的很可爱了！
蛮适合小孩子看的，对小孩子来说，能学到不少东西
对男主这种颓废类型毫无抵抗力…结尾BGM很绝
片子集搞笑亲情及历史科普于一身，推荐所有朋友去看～
前半段还是很好笑的，从小白变成反派的那一刻起……后面的剧情套路也太中国了吧。。。
很好看诶，怎么毫无动静，一边看一边在疑惑弗拉门真的存在过吗？😂😂😂，甜甜圈很可爱，最可爱的反派小狗狗也戏精满满。小恐龙也很可爱，有一些贱贱的笑点
我说浩宝的那段rap怎么突然那么专业还有点熟悉
故事剧情很老套，两位主演都演过类似的角色没什么新意，但是小笑点很多且不尴尬，不要深究逻辑和细节，挺放松的喜剧爆米花电影
败笔在跨物种的爱情线和那个杂交蛋…
怎么做到每个角色都这么蠢且可爱哈哈哈，好无脑好简单好开心，谁不想和Channing Tatum 这种肌肉白痴帅哥一起在热带雨林里冒险还能看他光屁股抱着他醒来脸贴在他的胸肌上呢！
菲拉萌兄妹拯救自己的种族不被灭绝的故事，电影是迪士尼的画风，但故事却有点中国式意味，搭配起来趣味性有些减少，故事还是有些偏弱，但预设的一些情节最后能圆上。
一开始觉得肚子有洞有点瘆人，后面越看越可爱，幼儿园的崽说太好看了
配音很拉胯，小白黑化的很奇怪很突兀，我并没有觉得那些甜甜圈多可爱，还是小白可爱
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