Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
床戏都变难看了，最后被父母爱情那段气到了🙏🏻（我跟你有过一段情男主是我俩的儿子所以我们在你结婚前夜且我老婆还怀孕的时候打炮完全是正当并可以理解的！你们这些不明内情的人都不许凶我！
害！我还以为是苏格兰独立战争的火苗呢，原来只是私仇，还以为你大英这么有气量。拉斯普京的真实故事其实非常好玩，比电影里有意思多了，可以说比电影都有意思。列宁的出现真是好梗，我笑得好开心。挺垃的，但也算还不错。
先说制作水准，是真的不太行。看完还以为是马修沃恩监制，结果是马修沃恩导演。。。
为数不多的静男靓女😁😁😁
1:导演对一场战争的认知想象如果只有戏说和个人英雄主义，未免有点没有人性。2:丹妞同志要不要反省下自己一张无害娃娃脸怎么老在他坞演反派啊。3:即使忽略前期的故弄玄虚和暗示，反派头子你的口音也藏不住了好吗>_^
只有一两段有王男内味儿 还是好看的！在电影院笑出翔
剧情好扯而且比第二部更无聊了，也就只能看一下拉尔夫费因斯这位老帅哥，演他儿子那位本来蛮期待的但是电影里可以说毫无发挥
以为是男主的，原来不是男主，所以要听爸爸的话...本来会有更大的成就...打死儿砸的士兵，解释的机会的都不给就KO了...可恶(〃＞皿＜)
男女主已经没啥拍的了，开始拍老一代的狗血剧情，竟然还没完……
两位主演加油保持住颜值和身材第四部也是可以期待一下
电影整体其实还好，还真不是到差的程度，演员演的也可以。看到一半觉得值个4星，只是后来conrad人物线是如此结局，太令人失望且不讨喜。
这片什么时候打上喜剧tag啊 男主无论做什么都能戳中我笑点
阴谋论又不敢展开想象力做戏剧化表述，故事张力差，强调白黑结合，可人家欧洲的黑人大多数和白人信仰不一致。这是拍出海扁王的导演。。。唉
这部就解释了男主toxic完全是因为原生家庭啊……Go get a therapist, everyone.
好烂啊 我为什么还在看 而且怎么还有4啊 真绝了 低配版青春五十度灰…什么都没露 这剧情水到不是在做就是在做的路上……
除了床戏和男女主，其他剧情和演员都是掷骰子掷出来的。中间一段幻想ntr情节真是有病。
这个系列之后Hero和Jo再合作吧！就爱看这俩！！
我也可以写华盛顿是穷凶极恶的奴隶主，毕竟创作自由
这部虽然剧情麻麻但是两位的脸怎么感觉比前两部都好看 hero和jo的造型都太好了 虽然anna todd的剧情毫无营养但是herophine how pay就vans
全世界人民现在一个样，这就是“优雅”一点的英国手撕鬼子。
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