Acclaimed British actor Christopher Eccleston (The Leftovers, Thor: The Dark World) will be joined by Marsha Thomason (White Collar) and Paterson Joseph (The Leftovers, Law & Order: UK) in a new four-part drama series Safe House from Eleventh Hour Films. Safe House is a tense thriller set in the beautiful wilderness of the Lake District. The cast will also include Jason Merrells (Emmerdale, Waterloo Road), Nicola Stephenson (All At Sea, Holby City), and Peter Ferdinando (Doctor Who, A Field in England) and is set to commence filming today; Monday 6th October. The 4-part drama tells the story of a married couple: Robert (Christopher Eccleston) a former detective and Katy (Marsha Thomason) a teacher who are asked by close friend and police officer Mark (Paterson Joseph), to turn their remote Guest House into a Safe House. Their first ‘guests’ at the Safe House, are a family in fear of their lives after they are violently attacked by someone who claims to know them. For Robert protecting the family resurrects fears and anxieties bound up in a terrifying night eighteen months ago - where he was protecting a star witness who was about to testify against her gangland husband. Unexpectedly, he was shot, and she was killed. As a consequence of running the Safe House, Robert re-questions this incident and uncovers a web of lies. Inspired by a real couple, Safe House is a distinctive character-driven drama created and written by Michael Crompton (Kidnap & Ransom, Carrie’s War), and directed by award-winning Marc Evans (Hinterland, Collision) and produced by Andrew Benson (Strikeback, Mad Dogs). It is being developed by Eleventh Hour Films’ Paula Cuddy, who is also an Executive Producer, alongside Jill Green. Safe House is potentially a returnable series for ITV and Eleventh Hour Films and was commissioned by ITV’s Director of Drama, Steve November and Controller of Drama, Victoria Fea. “We're delighted to commission Safe House from Jill Green and Eleventh Hour Films. It's a compelling four-part drama from Michael Crompton with great characters and genuine twists which keep you guessing right to the end.” Jill Green (Foyle’s War, Collision, The American) said: “ This brilliant idea for a psychological thriller has attracted a strong cast – and will keep viewers gripped.”
想拥有一只永不言弃的考拉🤪
除了关键矛盾处理得硬，整体依然欢乐，歌曲养耳
這一集的劇本就草率了些，不過也算近期我看得最開心的一部動畫了，而且角色形象還是討人喜愛的。
和第一部同样的套路，同样的欢乐，同样的名场面。
还不错，没有陷入续作难题。更鲜明的“音乐剧”形式、很强大的舞美。问题可能是，过多的热歌真恨不得见缝插针，形式上略大于内容。#7.0分#
依然足够欢乐！欢迎Buster Moon 先生早日携团来华交流演出🥸
几年前在电影院看第一部的时候（查了下居然已经是五年多前了），我记得很清楚我在电影院哭的稀里哗啦，这一部也同样赚足了我的眼泪。我对这种追寻音乐梦想的电影没有抵抗力，能在大荧幕听到这么多好听的歌也是血赚了。也让我想到了一些曾经的回忆，不论是台前还是幕后工作。这样一部老套的电影却精准的戳中了我的每一个点，一定要找一份这部的原声歌单好好听一下。
他全身上下充满了打进去的其他人的文字，那些文字没能成佛，留在身体里，你的身体，也充满了尚未成佛的词语
故事不错，体现时间跨度的化妆也还可以，但是写和拍不行，这个角色还不够让人同情，有这工夫不如重看《薄荷糖》。森山未来很有魅力吗，凭什么让男女都着迷？笔友的年代还是让人怀念的，起码大家还在平心静气地着迷一样东西，现在只剩浮躁了。才认识浅野堇，浅野忠信的女儿。
“我在高兴时，会觉得很难过。”
套路跟第一季差不多，大场面是有的，情感就少了一些
笑点全都集中在蜥蜴上，整体故事乏善可陈，甚至有些不可思议，用了许多大热歌，氛围还是挺棒的，真就是歌曲改变“影生”
最后逻辑有点不通之外，都很好啊。狮子太帅了！老蜥蜴这一部加戏了。
第一部每个人都是平凡人的缩影，每个角色也都有着难以克服的困境。当困境得以克服，影片的高潮也随之而来。如此多线叙述依旧保持节奏紧凑的优点，在续集里荡然无存。如果说第一部是平民翻身记，那第二部就是平民进入上流社会的不良反应。住一流宾馆，使用一流灯光舞美，却只能贡献出一部靠视觉效果推动剧情的三流作品。每个人物的动机消失殆尽，剩下的表面动机就只剩下为了名利。怎么说呢，就是一部肤浅的表面繁荣的续作。
虽然相比第一部在叙事技巧和人物塑造上都简单直白了许多，好在整个故事还算流畅最后的华彩演出也足够动听足够绚丽甚至还有点小感动。技术力方面无可挑剔，人声居然能听出远近和朝向让我小惊艳了一下。虽然超多耳熟能详的金曲一次听了个饱，但即使以音乐剧的标准配乐还是略显满了一点，经过第一部的小人物成长编剧想在第二部弄个大的，但明显已经有点HOLD不住了，我真想给这部打五星可那对第一部不公平。
娱乐性很强，制作也好，就是跟第一部比剧情有点敷衍
最后歌舞的呈现其实可以更用心一鞋。歌单还OK，但是光唱歌了，和电影结合得并不好。
已经记不得第一部看没看过、情节如何了，就从头开始看起。虽然是比较传统的典型正反两派一眼就能看出结尾的喜剧，但是在人物刻画和动画的展现上还是很出彩的。小剧院院长考拉穆恩梦想着有朝一日能在大舞台上演音乐剧，被尖嘴猴腮的狗狗女士一通挖苦后立志要争气，带着能唱能跳的猪猪、vocal大象、民谣豪猪和rap猩猩一路蒙混过关参加了海选，被哈士奇一般的狼选中，顶着掉脑袋的压力上演了一场星球探险剧情，同时还要安插走后门的狼女儿，再将因妻子去世无法歌唱隐退的狮子请回舞台，狼认为请不来狮子差点要了考拉的命，最终考拉攒了免费局，上映了音乐剧得到了热烈反响，狼夹着尾巴落荒而逃。整部影片超燃。
等到伊藤纱利正式出场才觉得被拯救！森山未来怎么时而像宫九时而像柄本佑......
普通人的普通一生，最后自己是谁只有自己知道（初恋和为他包扎的黑社会真的是不错的痕迹
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