A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
55/100 大型非裔西部黑帮史诗言情片。阵容这么强大，逻辑方面很不能让人信服，拍的这么平庸太可惜了。
除了几次打架和片尾彩蛋，其他真是没眼看，什么乱七八糟的
废除奴隶制以前黑人不应该都是奴隶吗，黑人变身韩国人？😢😢，男猪脚长得太像猩猩了，特写镜头无法直视
开头三星一直到大反派出狱，往后越演越烂到兄弟相认烂到高潮
嗯 我是为了彩蛋才看这部电影的
开头三星一直到大反派出狱，往后越演越烂到兄弟相认烂到高潮
哪怕就是为了看毒液 X Eddie 也快看不下去了
花钱不错，剧情一般，竟然还有两个多小时，标准看完就忘的类型，西部肥皂剧。
3.5星。老板娘和“小伙计”。为啥个人觉得有点西部版《新龙门客栈》的赶脚。
为了彩蛋加一星
复古黑人剧，叭叭的挺费血浆，干掉你还要流着泪说是你逼的，黑人兄弟跟好莱坞学成了也是
西部牛仔一夜之间都成了黑人，可见改变这一切的是资本。
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一般般吧，黑人牛仔的事我没查过资料就不吐槽了，唯一想吐槽的是最后决战，不是说对面只有十六个人么？像我这样闲的数人头，最后决战中明确中枪的敌人数出41个人，强行解释的话就是那会火器威力不够，平均每人中三枪才死
不过不失的电影，对传统西部电影的吐槽到有点意思
53/100。首先承认导演拥有一定的对于画面的准确掌控力，许多碎片都带给观众一种这似乎并非是一部单纯的黑人意淫大戏。然而在具体的故事上还是带给人了这样的感受，其实且不提那些毫无必要的“黑人凝视白人”的情节，光是两股势力之首在最后呈现出的这种看似宿命实则狗血的设置就足够让人大呼救命了。我能够接受你毫无章法的枪战爆炸，我能够理解你试图表达出的那些情感，我甚至都可以把自己放在黑人的位置上来看待你们的政治正确，可是你最后来这么一出是做什么？白左看了都要大喊一声脑子有毛病。最后，勒凯斯·斯坦菲尔德真是黑人男明星颜值扛把子级别的存在。Ps.黑人在音乐上的天份，真是无人能及的。 @2021-11-04 23:56:19
女主分手就分手，果决一点，既然知道自己真正想要什么。男主安排的第一次合集其实是对女主的内心凌迟啊，女主已经做出了令自己难受的决定了。男主的自我感动让两个人都难受了。不可否认的是他们是相爱的，永远无法改变的，不可否认的。这已经足够了。
哪怕知道最后要分手我也想谈这样一场恋爱，一次就好。
他说这些人都是历史根据上的
服装造型真的是太复古了
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