剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 亢思云 4小时前 :

    (横批:过几辈子还爱你

  • 易运乾 3小时前 :

    能看出漫威在努力走出舒适圈寻求改变,惊恐+超英还是很惊喜。

  • 劳盼秋 6小时前 :

    暗黑风格漫威,有了之前没有的惊悚元素,剧本有点问题,但视效盛宴,氛围拉满,不去影院看没感觉

  • 仕骞 2小时前 :

    我真的会谢 笑不活了 这个宇宙的好人Stephan谁都想打他 他谁都打不过

  • 完颜融雪 1小时前 :

  • 卯湛芳 2小时前 :

    拍的很好,很过瘾。已恐怖片的方式打开绯红女巫,某些场景非常能联想到某光明会……平行宇宙的x教授竟如此炮灰

  • 卞夏柳 2小时前 :

    我还以为我在看恐怖片,旺达从镜子里出来那块我以为我看到了贞子。丧尸史蒂芬出场我以为我看到了夜王。现在超英片真不用去管剧情如何了,特效还是非常精彩的,看了个上午特价场打发时间还不错。

  • 夕康复 1小时前 :

    3.5 比想象中的好看诶,奥妹贡献非常好的表演!

  • 夏新之 4小时前 :

    还可以,无尿点,有些神经,有些恐怖元素,还有点好笑,莫名其妙的还挺好看的。

  • 卫曾浩 7小时前 :

    比想象中要好一点

  • 厉宏扬 0小时前 :

    这种电影,要么在电影院看,要么窝在卧室里和一两个人悄么声的看,要不然真是辜负了山姆雷米煞费苦心在漫威固定公式里营造的惊悚气氛。缺点明显,美国小姐充当麦格芬工具人。反派女巫承担角色弧光,又被MCU拿来受苦看着真心疼。主角博士负责和意难平再纠缠一下圆个梦,角色的亮点都放在了新能力的探索上,还是相当于为“宇宙大局观”牺牲了角色塑造,成为奇观制造机。但不得不说,这视听效果在BFI看的我真是炸裂:多元宇宙跃迁、女巫屠杀、五线谱大战…山姆雷米是把憋了这么多年的拍摄欲全给发泄出来了吧,已经把自己在MCU的后路给断了,因为再拍续集可能就真没招儿了(笑)所以影院buff给总评加了半颗星。但本片只是再次确认了一遍多元宇宙的存在,并且大笔一挥挥霍了不少大腕儿的客串机会,现在还是看不出漫威在新阶段的玩法。

  • 抄幼珊 1小时前 :

    女巫施法场面怎么那么少 上映之前一直期待女巫大杀四方结果就个这?等独立电影ing

  • 成如之 8小时前 :

    鬼片,还好旺达妆效没有特别吓人,jump scare太多了

  • 卜斯雅 6小时前 :

    以后所有的漫威电影估计都只能下载看了

  • 刑诗霜 8小时前 :

    記憶深刻的部分不多,就只有從原宇宙被炸到他宇宙之間那一長串的CG轉場令人記憶深刻,音符攻擊的部分腦洞也很大(但覺得有點幼稚),特效真的推,劇情也真的是還好

  • 姒米琪 4小时前 :

    经历那么多创作分歧和补拍,不出意料的既不流畅也不恐怖,反而是恶心到想笑,看作是纯粹为了介绍新人物的情景喜剧还是可以的

  • 中蕴美 0小时前 :

    对神告白Time will tell how much I love you之后强力回应告白:I love you in every universe.

  • 宦凡阳 5小时前 :

    笑死 僵尸博士vs猩红女鬼……可以是一个恐怖片

  • 戊丝柳 5小时前 :

    别抱太大希望 其实算是优良之作 谈不上优秀 但有我最爱的旺达 必须五星!!! 希望漫威以后多来点旺达戏份!!!说点题外话 看漫威就是冲着蜘蛛侠 旺达 奇异博士 洛基看的 看其他漫威电影就是为了看懂这四个人物的剧情的

  • 前莹莹 1小时前 :

    I love you in every universe 奇异博士的浪漫

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