IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
一枚早已写在尽头的句点，一段再无归期的旅程，我是垂暮之年的传奇，踏上末世的无依之地。
无按头说教
其他几个年度电影里面有的是更应该拿第一的，X瓣这捧X🦶的样子也太明显了吧……无语
（眼睛再大，眼界不大，又有何用？）
平淡平缓，没有剧烈的戏剧冲突感，就连短暂出现的反派都没有露脸。很难说它是末日版的《荒岛余生》还是温情版《我是传奇》，披着科幻末世外衣的公路片，基本上看到中间就知道结局如何了。与其说是电影，更像是加长版的短片。温情脉脉，娓娓道来
最后十分钟眼泪不止，他明明没有表情，但我看懂了他的所有情绪，这就是爱！真他娘的又浪漫又悲壮
画面真细腻，足以以假乱真了。看得激情澎湃，太积极向上了，舞狮场面真的好精彩啊，真想有机会看个现场这样的表演，再一个人物脸谱很像小时候老式动画片人物，还是很喜欢这样抽象脸谱，看多国漫俊男美女脸，这样的还挺可爱的。
有点尬，不论剧情台词还是笑点，都尬，尤其最后那什么咸鱼脚，真的尬到极点。
舞狮的部分非常棒！没在现实中看过踩高桩的舞狮，也没看过现实中的抢青😹
末世废土设定的公路科幻片，尤其在疫情期间看特别能relate. 一个机器人的出生和快速成长，学着像人一样生活，思考，承担责任。在这个世界里，人是危险、复杂、不可信任的，唯三可信任的是自己的狗勾和机器人。不过在残酷的环境里也有暖心的温情和浪漫，在旧金山终于能自由晒太阳，让蝴蝶飞到手上那段泪目。多希望Finch也能亲眼见一回金门大桥啊，听"suspension cables singing in the wind". P.S. 片头和片尾都出现了American Pie，用得不能更贴切。
哺乳动物总归是要灭绝的 需要温暖需要陪伴需要爱 脆弱的心灵不能在这个决绝的世界生存
机器人在创作上需要一个陌生化的处理，不能一上来就通人性，否则就是一个毛躁青年的角色而已。从数据思维到人类思维这个跨越处理得极其简单。
确实只适合拍成短片，末世题材太老套，了剧情上也没有特别大的亮点。可能是汉克斯太老了，跟《荒岛余生》差的不少。
打着末世科幻旗号的公路宠物温情片，头重脚轻的感觉很明显。本来以为导演要铺陈一个世界观很大的故事，结果还是在细微处着手。不是说不好，但确实跟开头的预期不太符合。男主这个角色简直就是为汤姆大叔量身打造的。
快进看完的，总觉得开头那部分，我哪里看过。#20220226
What would Finch do? He'd feed the dog. I'm gonna feed the dog.
哭了，哭的稀里哗啦
与其说是芬奇护狗的故事，不如说芬奇想保留人类最后一丝底线，这底线是不要成为因为饥饿就杀人的怪物，失去人性只会掠夺的禽兽，人与人之间的信任，被机器人模仿留下来的关系，这种细腻与感动，正是数据时代、电子化、大疫情背景下残留的“温暖”。
上帝诗一样地让他在临死前的最后一天，拥有了童年的鲜花和可以晒的太阳。
前所未有的抵制与反抵制，自带原罪的眼睛与片方完全负面的大肆宣传，政府官方的保驾护航与全民参与的反辱华抵制，属实给电影圈提供了一个魔幻可笑的参考例子。
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