Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这种电影本来就是看个热闹，就像过节合家欢的爆米花电影，整体温馨就完了。非要谈到现实生活，现实生活的Asian men（仅代表国内）内在有一半欧阳这样的就谢天谢地了好吧😁btw：从始至终都觉得真爱不分皮囊，如果你只爱皮囊，fine…我无f**k说。
圣诞电影啥时候能get over love actually 🙏🏻
虽然结局完全不现实，但是Jimmy演的还不错
中规中矩的Holiday season 的搞笑电影，打发时间不亏
hmm 没抱什么期待，但中间也有挺感人的moments。男女主长得太像我认识的两个人了… 有点串戏。三星半吧
cute但是抱歉真的看不了jimmy o yang的吻戏lol
连我这么爱看合家欢爆米花电影的人都觉得有的地方真是太cheesy了……
两星半，老套的圣诞爱情喜剧，不得不说，男女主角真的没有CP感哦。
2021.11.23 Love Actually: Best Christmas movie ever! 沒其他想說了。
老套的爱情片，望开头知结尾。但是某些细节的刻画很有意思，如男主之前的交友app照片，倒是很有些不一样的意味。PS.原来是个超新的片，网飞这么早就开始出圣诞电影了吗
粗制滥造轻喜贺岁片+1，恋爱软件滑人噱头挺足，网恋有风险，空降需谨慎，是要三观相符的聊得来平凡男人，还是靠假装才能相处的美好皮囊，加上亚裔加上一些文青观点输出。开头女主过于烦人，二十分钟后就是男主烦人，中段感觉好了一点，结果人设开始接连崩坏，是所有人，包括男主一家，只有奶奶和妈妈的糊涂划水人设最稳定。真不是带圣诞带爱就好看。
杜波夫小姐姐也老了……jimmy欧阳的演技还挺不错的
不错的圣诞小鸡电影。改编版baby it’s cold outside还不错。
太欢乐了哈哈哈哈-就需要这样cheesy的电影给自己放空
爱情小品，总之还不错，女主的颜值稍微有点崩，不过不算太影响，主要没有想到的是欧阳万成的演技挺不错的。
如果忽略男主的造型喝身高…整个电影还是很有趣的，而且jimmy真的好有趣好迷人哦🥺但让我跟大油头秃顶的人谈恋爱…🤭
怀疑我对欧阳万成是有滤镜的，不然他和never have i ever的男主共演一部cheesy圣诞喜剧，并且我还觉得能看，实在是离谱！攀岩梭罗肉食和bobsled是和tag不合适的理由吗。（确实蛮喜欢baby it's cold outside改编大家都应该一起喝lemon lacroix）
Jimmy O Yang不贱了就没那么有意思了
谁说love actually 是最烂圣诞片我直接战狼出击
上一次看Nina，还是吸血鬼日记。时代的眼泪🥲
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