Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
2022.3.5 Netflix
joey妹妹是这几年转型算挺成功的童星了。这片剧情没啥看头，但节奏紧密从头打到尾还挺爽。多一星是给亚裔美女林师傅，蓝色战袍弓箭双刀真的很帅😍师徒组莫名挺好嗑的☺️搜了一下姐姐竟然是越南大明星，真的好美哦❤️
【知识/逻辑】：2.0
我操纵着大杰洛特屠杀匪营也没有她砍瓜切菜这么利落。公主大人单挑雇佣兵什么的桥段……真是令人无法拒绝。
舍弃了任何背景介绍，或是提供至少可以寻找一点相吻合的时代线索；没有任何大场面，几乎都在室内建筑架设的场景里展开，简洁得都让人感到疑惑。公主两眼一睁开，不是打，就是闹。最开始的感觉以为会是《凯瑟琳大帝》的另类变种，在古装里塞下一些新鲜视角；又或者是纯正的打女型电影，为Joey King提供另重可能。但抗拒任何幽默甚至没留任何喘息空间的成片都让这两个预设没有发生，只留下数个潦草的场面；哪怕面对的是流媒体，这般成色也过于差劲。
想给一星吧，又觉得起码能看完
之前的预告让我来看看布彻尔的，结果反派死于未注射5号化合物……
虽然演员不是第一部的了，但结构、剧情没变，同样的喧闹、搞笑和精彩，尤其闪电剑阵创意十足，最后韩孝周的强硬一吻惊艳全场！
暴力血腥很有特色，不死的女主光环，缺少剧情转折。
延续了第一部的欢乐，大圆满结局仍是那么满意 真的满满回忆啊 那年的高中晚自习看了第一部 时至今日 也还是印在脑海里
另外以后得避坑李光沭了，他确实没演技，还是去玩综艺吧。
特地为了这第二部看了第一部，比上一部进步很多，无论从画面、特效、剧情都有很大的进步，但比加勒比还是有点距离的。可以说是一部合格的爆米花电影。
joey妹妹是这几年转型算挺成功的童星了。这片剧情没啥看头，但节奏紧密从头打到尾还挺爽。多一星是给亚裔美女林师傅，蓝色战袍弓箭双刀真的很帅😍师徒组莫名挺好嗑的☺️搜了一下姐姐竟然是越南大明星，真的好美哦❤️
全打戏爽文电影，但神奇的是打戏又精彩又拉，女主甩着两个小肉胳膊，剑都拿不稳，空翻要靠威亚，很难相信她有一路杀下塔的武力，npc们为了迁就她打死不围攻一个一个送，装瞎装聋强行降智，如果要靠强行削弱敌人来凸显女主，那还算女性电影吗？
冷兵器时代的007，但范围很小 又像是 暗黑破坏神2开荒遗忘之塔
轻喜剧，调性控制得非常稳，剧情和人物性格搭配得也挺协调，略显夸张的美术和表演也相得益彰，是一个非常平衡的作品，当做周末的消遣非常合适。
政治正确万岁！公主颜值不太行。好莱坞拍这种后李小龙式动作片都不爱找香港导演了，香港人该好好反思了~不友好的胖子笑话，减分。竹林练功传授手眼心法依然是夸张的东方想象，中世纪铠甲冷兵器打斗倒是有些新意，就是动作设计的节奏有很大问题。
李光洙本色出演 韩孝周美但也不扮美姐姐好飒 甚至看오세都看出了一点点帅 燃的时候也挺燃 作为春节档商业片真的很合适不带脑子看 / 打完分发现和好多人的看法不太一样 确实整个片子属于无厘头 古代的背景但是有很多不符合逻辑的东西 但是我其实倾向于这就是他们追求的效果 比如姜河那其实很多时候的语气 就是他演现代片的语气甚至现代的话 但是你不能说他是演不出来古装剧的人
冲着韩孝周的脸来的，在开头那句高丽一千年历史就绷不住了，然后当韩孝周出场的时候，南美泫雅风造型，懵了，原来这就是亚洲海盗？即便如此我还是忍了下去，看完了这个running man海盗主题大电影。李光洙，低配版狙击王乌索普，穿着乌索普cosplay服，大喊我是新的海贼王。很好！致敬海贼王！然后种种服化道不想说了，剧情没有什么剧情，特效，五毛钱特效，那段水下河的特效令人笑出声来。很好笑，韩孝周也拿出了比演韩剧更浮夸的演技，大概率是为了突出喜剧内核。但是对于不喜欢李光洙RM搞笑形式的观众来说，太多重复的李光洙式搞笑会让人烦。总之，如果你想欣赏韩孝周的美，去看电影版内在美；如果你喜欢看李光洙搞笑，去看RM；如果你喜欢看海盗与特效，去看加勒比海盗；如果你喜欢吴世勋，去看唱跳。远离此片，减少浪费时间。
细节逻辑不行，比如二凤受伤那里，她明知道背后有驸马，还背对。以小打大，以弱打强并不讨喜，中国电影就爱这么搞，比如甄师父打泰森，打博伊卡。比较讨厌那种坏人有实力不杀主角，让主角抓住机会反杀的，显的反派太傻。女主有点丑，不如越南二凤。
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