Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
说实话若不是这类片子这十几年来太多太多还真的是不错的啦。诶😩要啥有啥，正义伸张！噢耶还行啦，这年纪真的辛苦的哇！⭐
坎贝尔现在得状态就是，自己年纪大了，明星还能找来，但是发挥不稳定，和上一部门徒差不多，都是故事框架可以，但是细节不好，6.2
好在结局没像《守法公民》那样恶心，手刃反派大快人心。你腐蚀法律，我也能钻法律的空子。
片子只值三星，多一星给连姆大叔，70岁人了动作戏还能如此干净利落真是厉害
当制度不公时。。。唯有以暴制暴。。。PS：连大爷还是这么猛。。。
很悲惨的结局，面对权钱相护最终只能以暴制暴。美国是多缺杀手啊，死活要雇一个70岁还老年痴呆先兆的人去杀人，完不成还不行，最后被一锅端了吧
整体还不错。犯罪集团太强大就不真实了。警察又太弱鸡。连姆大叔两头作战。
还行吧，人性如此，节奏紧凑，没什么特别的，结局从两人分开就料到了
一个患有老年痴呆症的杀手，对于一份杀手任务确投入了感情。导致洗心革面反杀罪恶集团！
主角的记忆好了，观众的失去了记忆。
感觉是为了让贝托鲁奇重出强行拍的，以及贝托鲁奇好老
英雄迟暮，象一位老朋友，只要片子不要太差到IMDB5分以下，一般还是看一下。
拍的波澜不惊。。。这导演还拍过黄金眼和皇家赌场的
本片最大的意义就是三位老同志刷存在感，连姆大叔、莫妮卡姐姐、盖皮尔斯，都已过花甲之年，加起来二百多岁了，向他们致敬！
欲望总会被欲望吞噬，最终一无所获自己反被湮没，很简单道理的一部电影，全程都是扎克一人飙演技，不过确实演技炸裂，一颗星送给他
难看啊，动作少的可怜，只有点枪战，剧情也很乱！！
杀手不好干啊，这年纪，想退休都不行。呵。老爷子还拍，我就看，不低于三星。。。
上一秒是右边被插了木头，下一秒成左边了？伤口还能转移？？
当你最后无奈失望的时候，发现竟然另有一个黑暗小队
很悲惨的结局，面对权钱相护最终只能以暴制暴。美国是多缺杀手啊，死活要雇一个70岁还老年痴呆先兆的人去杀人，完不成还不行，最后被一锅端了吧
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