剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 庞新柔 4小时前 :

    他是否依旧那么年轻 是否依旧那么热情

  • 佴哲思 1小时前 :

    罗斯对当初布景的点评,提到机位,可以看出这是他后来转型导演的影响

  • 吉俊茂 1小时前 :

    关于长大以后跟朋友差距变大渐行渐远的那段有被戳到😭 话说我也好想养科莫多巨蜥!!!!

  • 操寄灵 7小时前 :

    发布的那天就看了,已经是去年5月底的事情了?好快哦

  • 彩文 6小时前 :

    情感就是,大家看到的是一样的东西,但唤起的反应完全不同。我没办法对现在的娱乐明星有任何回应,也同样得接受和别人说起时,对方的平淡反应.....

  • 徐雅韵 5小时前 :

    Were Ross and Rachel on a break?

  • 少罗绮 4小时前 :

    剧是想起来就会觉得非常好的事,重聚印证了这么好的事在生活里也是存在的,简直是好上加好,太完美了。

  • 俞鸿德 3小时前 :

    这也太好哭了,大伙儿都是中年人了但 Phoebe 真是一点都变。虽然我昨天还在看老友记,只要从 S10 18Ep to S1 1Ep 老友记就永不完结 🥲

  • 廉又蓝 5小时前 :

    超棒的,这个令人窒息的世界,就由你来改变吧,

  • 壤驷以松 7小时前 :

    很庆幸这次重聚是谈话而不是另拍一集,像他们说的这个故事已经很圆满了,不需要再去搅动他们的生活。我发现我可能不仅有分离焦虑还有“重聚”焦虑,讨厌离别也讨厌那种suddenly all the memories blast from the past,但却已是时过境迁、物是人非,just sad.

  • 以飞鸣 8小时前 :

    老友记怎么能过这么多年都这么好笑!!!!本人怎么能跟角色这么像,David讲述最讨厌片场猴子时的较真,Phoebe发现虫的反应,Joey听到Ross玩骨头就会笑……5555没想到Monica和Chandler在一起是因为观众的反应……🆘这条线太好了。Rachel和Ross对对方crush过5555老友记真好。看观众采访时看哭了。

  • 司徒新立 2小时前 :

    没啥说的,看完了,开头就一直抹泪。曾经的青春,没有狗尾续貂。唏嘘又怀念,非常好!

  • 府曼珠 9小时前 :

    原以为是聚在一起演一出新剧情,但只是回顾有点失望,但还是哭了好几次。

  • 学夏兰 5小时前 :

    以前竟然有时间看完那么多那么长的剧集;很多情节都忘了……虽然朋友很重要,但有了家庭后,我真的就被家庭霸占了。

  • 家蕴涵 0小时前 :

    最让人感慨的当然是Jenn和David的这段迟到告白,毕竟我是比较少见的挺Jenn派。看得出六个人并非一直其乐融融,但这种无法割断的羁绊我懂。17年改变了一切,却没有改变每一段好时光都会戛然而止的法则。甚至改变了曾经对老友记嗤之以鼻的我,哦这才是最让人感慨的——所有的过去都会被美化成诗,而所有的诗都是写给未来的。

  • 振辞 2小时前 :

    鬼知道我是怎么看完的,又哭又笑两个眼睛放大炮?

  • 军君丽 4小时前 :

    好像又回到了追剧的那几年 5🌟致过去 致未来 致情怀

  • 佴雨莲 2小时前 :

    这部有社会派推理的元素,但是感觉不够蜡笔小新啊!

  • 匡丰雅 1小时前 :

    最后那段reread,还是眼泪掉下来。身边的朋友,老朋友,包括这几位

  • 吉裕 0小时前 :

    I just love those guys!

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