The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
这上来就跳反的片不多呀，律师还能用虚假证物引导案件走向，反派既然手眼通天，为嘛不把这律师做了呢，反正都做了很多人
疯疯闹闹的喜剧终究还是落幕了，神经病黑道实在是太有魅力了，疯蝴蝶真的很可爱🦋
噩梦般的三部曲终于结束了，我只想问一句：三池崇史，廉颇老矣尚能饭否？
一点都不吓人，主要是心不在焉。但想分享这部低龄恐怖片吓一头小猪咪。
能看，算是有想法的悬疑类恐怖。前半部分铺垫冗长又无聊，但不铺起来的话时长可能无法达到上映标准…
这个系列终于完结了！三池崇史+官藤宫九郎，就是你想掀桌的时候忽然被逗笑……阿茄辛苦了，但是有很多肉体的画面😍然后发现其实没看第二部……
心疼这片，2021年难得有一部设定和氛围感都不错的恐怖片~可就是服化道太出戏了，相比之下，《昆池岩》太优秀了。
笑点还是挺密集的，bug也是蛮多的，toma还是可以的。
三池崇史确实没有活了，漫画风的极道大乱斗倒是总也玩不够了，既然完结了，就得好好想下一步该做什么了。
剧情很糟糕，纯粹的吓人电影，几种元素拼凑一下。
我觉得挺不错的，多线叙事我觉得是个亮点，看起来并不吃力
还行吧，最后还是魔法打败魔法，如果富豪最后要钱不管女儿死活，主角再努力也没用
其实私以为蛮好看的，故事很不错。美中不足是剪辑手法有点减分，以及一贯的韩式浮夸和拖沓。
看评论还不错，但真的有点无聊，可能是剧情非常老套？连结局也是。
这种“我死了但我以为我还活着”概念的电影一抓一大把，但太好猜到的话就一点意思都没有了，可参考小岛惊魂，灵异第六感的结局反转……22.02.26
既然男主也是鬼，而灭魂刺在男主手中，男主岂不是无敌。
有被吓到。
有被吓到。
虽然拍得一般，但是价值观比隔壁双标狗怒火正常多了
①案子不复杂 人物太多线太多 导致不像法庭戏 全在讲述背景
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