With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
是否作为新电影仍旧存疑(但至少是部青少年电影.
是否作为新电影仍旧存疑(但至少是部青少年电影.
合拍动画，甜甜圈设定还是挺萌的，毛茸茸的，中间有个洞，还有它们穿进棍子里当轮子好好笑哦。里面有一个穿越时空的设定，有些梗让人惊喜，感觉是能继续深挖的，但看下来也就那样，剧情很一般。
剧情设计的挺好的，不算低幼。底子还是那套大道理，友情啊合作啊共赢啊宽容啊啥的。高潮后有几个片段让我惊讶，甜甜圈和渡渡鸟跨种族恋爱了？明明渡渡鸟的配音以及设定给人感觉都是一个知性女士，甜甜圈男主给人感觉是个宝宝啊！二话不说直接接吻去了，最后还杂交了个蛋出来？以及可爱的狗子在这里面扮演了会用刀和炸弹的反派。估计国内上映的时候得删掉写片段才行了。
很好看诶，怎么毫无动静，一边看一边在疑惑弗拉门真的存在过吗？😂😂😂，甜甜圈很可爱，最可爱的反派小狗狗也戏精满满。小恐龙也很可爱，有一些贱贱的笑点
小外甥选的电影，影院里都是小盆友～整体还成吧，里面很多梗是给大人看的
3. 以为是我最中意的类型片 原来是个搞笑片. 俗称 换皮泰囧.
比较低龄，三岁半的儿子挺喜欢。对我来说有惊有喜，汪小峰是唯一的成人笑点了，最后那跨种族的突然一吻把我吓了一激灵。
故事和制作都可以算是精良，还能跟着一起学习世界历史。
为了孩子看的，不是因为国庆无聊不回去，下次一定要有好的动画片上映再带孩子看
萌是萌的，情节也还行，3岁半的娃，光吃爆米花了
前半段还是很好笑的，从小白变成反派的那一刻起……后面的剧情套路也太中国了吧。。。
感受到了浓浓的青涩感。
5. 女性视角的小说 女性视角的探险 女性视角的爱情观. 但我很怀疑 女性真的会因此就喜欢这样的电影吗.
好无聊好无聊，不知道在干嘛，浪费我找资源的时间
桑德拉布洛克已经快60了，居然还和塔图姆演冒险爱情，话说这部根本就不是探险寻宝的题材，因为一点机关和宝物都没，寻宝迷请避坑。
今晚跟我两个小侄女儿一起看的，意外发现我竟然好喜欢看这种！！！看这个真的太快乐了！一种叫做菲拉萌的长得像甜甜圈的可爱生物，呜呜呜真的是可爱死了！O妹和爱德真的是要笑死我，我笑完了全程，现在写下这些文字的时候肚子还是痛的[允悲]不是我笑点太低，是这部片子完全戳在我的笑点上！
陪孩子看完我就去搜“物种菲拉萌是真的吗”，搜完被自己蠢哭了。。。
很对不起这么说但是是真的😭😭😭
陪娃看非常好！小朋友第一次完整看完一部电影，值得纪念
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