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The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
《少年行》。致敬里奥。最喜欢这个。
都去掉结尾其实都挺好的,因此暴露了主旋律电影只为说教不为艺术的意图。
《诗》作为章子怡的女性视角,讲述研制人造卫星的故事。
乘风:战狼之后有战马,战马之后长津湖;诗:首当导演欲写诗,其实就是一坨屎;鸭先知:户外广告三两只,春江水暖未可知;少年行:科幻伦理话父爱,欲盖弥彰实意淫。
如果可以
就当学生作业看。徐峥的命题作文书写能力一流,很懂得运用自己的聪明,只要不去粗暴的投机,成绩会一直很好。章子怡在演员生涯中汲取了不少养分,继续做导演的话也是有上升潜力。吴京感觉定型了,四平八稳、没有突破。沈腾像是串班来玩儿的,观众缘好,没砸就行。
我的正常人生活复健hhh好久没有自己出来看过电影了,内容不重要,感觉切实活着比较重要
天边的月 心中的念
嗯其实拍得挺不错的,前两部煽情,后两部搞笑,传达的主题一致,挺好
虽然题材不同,但是徐峥的鸭先知是最让我捧腹大笑的,尤其是对广告业的调侃与模仿。我好奇电视里播的那些广告是赞助吗?
我觉得这一系列都差不多,就当我看过。其实不重要。
鸭先知>诗>乘风>少年行。
越来越乏善可陈,整体来看章子怡>徐峥>沈腾>吴京。
吴京选择了做了对的事,至于有没有做对,不好评价,但他在表演上真的是程式化的生硬。
《乘风》的漏洞最致命:打了信号弹,鬼子马上说这是假的,怎么知道这是假的呢?
徐峥的片段值得四星鼓励,沈腾的片段三星吧后面挺感动的。
如果只有第二个故事,满分!
徐峥那段还挺有趣的,有点布达佩斯大饭店的感觉
章子怡>徐峥>吴京>沈腾;王菲依然高水准。
*3鸭先知,徐峥,以小见大,第一支电视广告
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