Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
想到了文德斯的Lisbon story还有贾木许的帕特森
总体来说就是无聊可以看但不会像最早的那几部一样反复看
可能是我太久没看柯南了，会不会太奇思妙想了一点
电影完成度还好。然，欲以孩童赤子之心救成人之饱经世事，我以为不可。
挺不错的但是总是感觉前面几部最经典……回不来了
So fucking Bad 不真诚 the worst kind of tone-deaf NPR self congratulatory fake-inclusive elitism shit
不知所云和寡淡常有，但是始终能感觉到两个孤独的灵魂的挣扎和呐喊，最后彼此链接，得到疗愈，纪录片段中的移民者是对此极好的互文
很微妙也很感人；卡司演的都很🉑️；这算是凤凰的预育儿电影？
很久没看过这样优雅的镜头 仿佛梦回去年moma看的das perfekte Schwarz
总体来说就是无聊可以看但不会像最早的那几部一样反复看
比上一部好看点点，再一次猜犯人失败……大概因为我有一段看睡着了吧……
总体来说就是无聊可以看但不会像最早的那几部一样反复看
黑白电影，很有质感。故事很细腻，娓娓道来，很生活，很喜欢这种叙事方式。最惊艳的是，人家国家的小朋友的思想深度和语言表达水平之强令人赞叹，我还是小朋友的时候应该只会看动画片和玩泥巴。生活挺不容易的，很多人都是一身伤，敏感的，总有泪崩和失落，还有崩溃的瞬间。为人父母不容易，孩子健康成长也不容易。特别写实，所以也特别让人共鸣吧。越看到后面越感动，涉及到很多内核，值得仔细回味。
热情，情绪化，神经敏感的大人和孩子。
美式小清新重构 黑白摄影很好 太多熟悉场景
孩子不只是小天使，这个我懂，但他们肯定是一面能照见我们最真实一面的镜子。
3.尊重孩子，不去灌输“标准答案”才能培养出独立人格。
另外今年新蘭跟高佐的放閃都很到位，特別是後者。
好到想拍个视频夸夸它！
谁他妈能懂啊，别说10年了，我都快15年没看过这样的剧场版了TT 还是会有乱来的地方，还是会有撬牛顿棺材板的地方，但不这样就不是柯南啦。剧情+搞笑+适度且合理的推理+侦探团友情及通力合作+警视厅cp管够+警校五人组回忆杀，一切都太恰到好处。五星不是给片本身，是给这么多年来一次次期待落空后终于能不带吐槽的看到爽的魇足感🥹
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