Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
看到绿谷用藏头短信作为暗号时，我就知道这段 100 多分钟的动画不会好了…… 好腻味啊。
总看外国怪物片，看到这种很具有中国特色的怪物片，觉得很新鲜。
全程高燃，画面顶尖，不过依然掩盖不住毫无创意的剧情
第一部水生杀死了水猴子结果第二部的水猴子就是他儿子，没有十年脑血栓写不出这种剧情。
3.5 观感竟然真的还不错，丰哥的打戏真的让人忽视逻辑问题。结尾太gay了吧
『With N』比第一部还是强一点的。8.27
《我的731学院》，本来想给负分的，结果只能给一分。我只能说支持这个的肯定不是中国人。
相较于水怪1，这个水怪2还是很有看头的，至少悬疑的部分的确有些吸引人。
打戏巨多，镜头作画什么的感觉比前面两季都要好，剧情节奏也是（毕竟剧场版嘛这个剧情也差不多了）。
片头烂到片尾
纯粹是看一下骨头社请来的各位原画师的作画了。
女主演技挺好的，有点被浪费了。
主线进入的特别快，但是剧情相当薄弱，打戏部分尚可，稍微给加一星，然而那个天马流星拳是个什么鬼，反正就是部部剧场版都要打废手，能出点新花样不
女主好像和对戏不在一个频次，台词拿腔很明显，容易出戏。
场景布置还可以，但是真的这个含义夜未免太浅了。
剧情比第一部还狗血，弄了半天最后水猴子不是坏的，村长才是坏的。女主也够猛了，一把枪通吃。
标题叫世界，结果还是日本那些人。这故事的问题就是角色太多了，每个人混个1分钟讲不了啥故事就完事了。反派描写太少了，完全是为了让主角团有个人打。绿谷伏地休息就是为了给剧场版主角出场机会。变超蓝打斗还行，动作设计傻了点。
第二部成了咕噜中国行，王真儿脸太大了，故事和特效谈不上好看，只能说网剧在进步吧
挺不错的，气氛和场景营造都表现的不错。而且如导演所说，这并不是一部纯粹吓人的恐怖片，他更表达了很多情感元素。真正恐怖的并不是水中的猴子，而是让它变成怪物的背后的恐怖的人心。大女主的设定也比较讨喜，许多欧美经典恐怖片中都有类似设定。在一个惊悚恐怖的氛围中，看似柔弱的女主奋起反抗，这种精神是很容易被观众所接受的。最后女主唤醒了水怪的情感，水怪也为自己曾经做过的坏事做了救赎。
能看，但及不了格，不是很糟粕，但也不是非常烂，中下等水平，普通的网剧
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