UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
10.19深圳湾杜比点映场，果然和银翼杀手2049、降临有着一以贯之的审美和视听语言，超沉得住气的节奏正合我意，而且沙漠也太美了吧！！太像我刚在南疆见到的塔克拉玛干了！扎实的铺垫和推进，弥漫在每一个黄沙镜头里的神秘主义，与残酷的大自然以及沙虫抗争又共存的生态博弈，两个半小时算什么，我可以在这个世界里沉迷一整天。音乐太满了和梦境闪回的画面太重复了都有点扣分，但我还是希望这一切可以延续下去，拍它个五六七八部的
只是真的很像某奢侈品牌
请一定要好好拍啊！要细腻，要成长，要空旷，要残酷，要宿命，要宏美。我心爱的沙丘，终于等到了大制作........（2019）今天终于看了电影，我成为了一个幸福的沙丘原著粉。（20211025）
直接想睡觉，如果是十年前应该还会觉得可以，但现在都什么年代了，里面的那些机器都不觉得新奇，剧情也简单，关键节奏太慢太拉垮了
被帝国皇帝忌惮的公爵居然只有三个侍卫？
且公爵仅有的三个侍卫像菜鸡，瞬间躺倒？
观众们在插科打诨的流行商业软科幻喜剧和勉力为之总缺一口气的小成本科幻电影的困境里挣扎多年之后，的确难得地收获了一部科幻史诗。整部电影堪称巨大物恐惧症患者的灾难，无论是太空还是厄拉克斯广袤的沙漠场景，对渺小人类的视觉冲击力很强，营造了一种类似宗教的极其神秘的氛围。对非原著读者的观众来说，适当进行了概念灌输，而这些灌输又不显得赘余。演员搭配其实也蛮香，甜茶的少年感还符合年龄设定，和丽贝卡的母子cp也有些好嗑，另外奥斯卡的肉体也是全片很绝的一个镜头。现在全心期待后续，拜托原人马搞快点。
好失望呀，没想到Denis Villeneuve也会有作为导演无所适从的那一天。已经2021年了，第一世界竟然还在沉迷讲述中世纪皇权斗争故事并试图合理化殖民主义，本第三世界无产阶级女工看完只觉得不舒服。
p.s. 最后的决斗也太敷衍了；依旧get不到赞达亚
看得我差点睡着了，太空版的权利的游戏，这不该叫科幻片，把人物摆到君临去也毫无违和感。全程都在装腔作势。都未来科幻了，搞得还是中世纪那套，皇帝，帝国，领主，巨大的飞船，结果战争就是拿刀砍来砍去。最有趣的就是豆瓣的这帮微文青废物们，吹捧的过了头了吧，这种东西要不是他们主子拍的，换做任何人怕都是要被喷惨
当今世上能带来这种不紧不慢不枯燥不放飞的全程沉浸式体验感，恐怕只此丹尼斯一家。PS，银幕上的角色一说起沙虫，我就忍不住回味起上一次吃的沙虫的味道。
虽然期待很高很危险 但是仍然没有太垮 鼓掌
吵得耳朵疼，受不了……然后八千年后竟然还是父权社会还强调血脉啥的……设定是古代我都信啊！
大量留白的镜头，陌生的宇宙星辰和世界，在人物表情和空旷的天地之间任由我的想象来填充。看多了酷炫密实嘴炮不停的科幻电影，“我们的征途是星辰和大海”，这样的表达在2021年是不是已经过时了? 还有人在拍这样的电影，真好。
另类王子复仇记前传，我就没搞懂你们外星人科技都这么发达还能开个人领域了，打架尼玛还是拿匕首互搏。剥下科幻的外衣，野蛮程度和争夺和权利的游戏并无区别，还是封建主子那一套，发展科技的时候不能建设下精神文明吗？女人依旧是黑袍+头纱遮住脸，看得我只想用社会主义的铁拳把这吃人的制度砸烂
文本也仍是弱项，古典式悲剧发生在遥远的太空时代，如同超科幻设定下依然冷兵器相搏的矛盾，考虑到大众层面的认知，反复强调“the one”+故事线被提取得通俗直白而失之余味；忠诚与背叛，牺牲与屠戮，在血的残酷里迎来新生的洗礼，这一切都在梦境中预言了；「沙丘」宇宙的序幕，期待续曲。
西方人引以为傲的民主居然在千百年后成了君主世袭制 影片又臭又长 剧情搁在五十年前可能很牛逼 现在看来真的是无聊至极 跟流浪地球之类的比起来差了不是一点半点
场面宏大 特效惊人 美术优秀 张震念经 但文本还是权力倾轧种族联合的老路子 设定竟然还是冷兵器战斗 仍然是为了财富资源 我不喜欢 Why is it so highly rated?
资源、财富、统治、剥削、反抗、权谋、战争，诸如此类，是人类社会永恒的主题。
说老实话敢接手沙丘这样的史诗科幻的导演已经算是大冒险家大慈善家了。不同于当年佐杜洛夫斯基的艳丽设定，牛蛙走的是又慢又闷又哲学路线，一贯的荒芜空旷美学，观感类似一首正在吟唱的静穆的长诗，视觉的科幻和文本的古典相融。评论两极倒也正常，有人爱快跑，有人爱散步。我爱散步哈哈哈。有些遗憾如果H·R Giger还活着可能本片的视觉效果不止于此吧。
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