Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
看个动画长片发现了一个宝藏动画剧集 作者一直在处理母女/子关系 或许就是个 孕育人与子孙后代关系的母题 人物很可爱 大人看也能受到启发
主旨为母爱,挺适合全家人聚在一起看看的,尽管还没看希尔达这部剧,但是依然不影响其温馨爆表。
一直以为没有后续,原来是出电影了
8.5 山怪王有什么错呢 他只是想找妈妈而已
说实话更喜欢第一季和第二季但是电影版也挺不错的(就是有点短)
全年龄向欢迎都能找到独特的共鸣
Trolls一年只有一天可以进城是不是太少啦。想看更多witch的戏份!
揭开了Trolberg地下温暖的秘密。我好像也幸福地长出叶子来。
画面太美
巨魔开花的那一段真的很美,可惜情节转变的过于生硬,和动漫还是差了点
温柔又有趣,看的几度鼻子酸酸,但因为在和大家吃饭,只能假装被食物辣到。
我要变成巨魔!(算了,还是当人类吧)
是我爱的希尔达
看起来像是前两季故事延伸的完美结局 有点好奇第三季的走向了(如果有的话
结局巨魔母亲格局太高高高了😭😭😭
希尔达永远没有让我失望,它是我目前看过的最好的儿童动画片了。
*本电影为剧场版
我要变成巨魔!(算了,还是当人类吧)
关于世界和平 人与巨魔和谐相处 老掉牙的俗套故事包装。
怎么说呢,看起来是一个简单的关于爱的故事。善意比敌意好,沟通比恐惧好。因为是幻想故事,陌生的种族,动画的形式,还有画风,都带来了足够的新鲜感,让人忽视一些其他东西。然后就显得顺理成章,甚至质量不错了。
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