According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
“选到你是我赚了，毫无疑问。”
受限于特摄剧剧场版短小的篇幅，如果不只是单纯的刀的话，小林阿姨应该能好好发挥
结局符合小林阿姨会设置的预期，但拍得不好，毛利写的剧本却有些喧宾夺主，明明重点应该聚焦在映司和ankh上，尤其是映司这么做的选择理由才是粉丝会在乎的。
现在以为10周年终于能大结局了，结果还是刀子
ankh一直附身不好吗，映司为什么要推开他
火野映司 这个人教会小鸟什么是生命什么是感情什么是朋友 还让Greed为他掉了眼泪 但是最后又留下小鸟自己了
不要离去 从我的心中。
总结:快逃！！这部东西就是一场灾难！
节奏很有问题，一股脑把故事嘚吧嘚吧赶紧说完了，感觉就像是先想好了一些要好好拍的场景，其他的部分随便衔接一下。赶工潦草，但原班人马全部回归又可以说是用心中的用心，就很矛盾。
哇靠真的好看，不过我好想哭啊啊啊啊啊，这个结局很难让人接受啊
人造连组直接打戈达感觉根本没有表现出人造连组的实力，整部剧场版看下来感觉剧情还是半成品。
TV的回放其实可以不用
最大的亮点可能就是映司用生命换回ANKH的复活，而Ankh带着这样的情绪在之前的剧场版穿越回映司身边时内心的五味杂陈，那份复杂的情感我们都明白了
这一次映司抓住了安库的手，了结了粉丝的遗憾。再见火野映司，再见假面骑士OOO。
三星还是看在情怀的份上，剧情也太潦草了吧，基本上什么都没交代清楚
不要离去 就留在这里吧。
（东映我草泥马！！！）
你以为是十周年复活发糖，其实是十年前的刀子拔出来，反手又是一刀🥲
因为是我最爱的骑士和渡部秀和三蛋剧组辛苦努力的结果，所以五星当之无愧
10年了啊，十年前我才三四年级，每周一集追出来的感情啊。
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