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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
伸出的两次手，一次递给人，一次递给神，一次把凡物变成神物，一次把神灵变为凡人，身为神灵，对自己是否能真正成为人的身份认同成为了题眼。理查德麦登在进入那个关键闪回之前面对着山谷上空的太阳，闪回结束后第一个镜头是同一位置背对阳光的自己和阴影的山谷，这就是需要动过脑子才会有的拍法。嘉玛陈正如片中自己的能力一样润物无声。有很多非常赵婷的部分，简洁，悠远，充满自信。也有很多掣肘和妥协（强行逗人笑的无聊破梗）。剧作上，终于有了可以称之为剧情的承接和转折部分。调度上，前半段的战斗承担了介绍人物功能的任务，不免过于简单，结尾部分的战斗让人感到漫威终于有了可以称之为配合和风格的战斗设计（而不是各种人一起一通乱打）。
这个破系列一直拍下去不亚于柯南剧场版，又是中二的服务精神与警察卧底猫捉老鼠游戏。都新世纪20s还用这种舞台剧形式拍悬疑侦探片，木村拓哉的探戈多此一举，长泽雅美工具人需要在电影里所出现的时刻。那点反转与真相探案，拍的还不如酒店宣传片。铃木雅之再次证明了他拍广告电影的实力。东野圭吾再这样被拍下去就跟布拉纳糟蹋阿婆一样，又臭又长。
唯一的亮点是和前作呼应的假面造型，没想到才第二部就更加疲态尽显，让本就算不上精彩的前作雪上加霜。
可以说是集齐了所有日本电影里面不喜欢的元素
评分有些偏低，但我看得很开心，个人觉得比第一部有过之而无不及。该有的元素都有了，就是木村看上去这张老脸有些臭，呵呵。
这个系列真的很适合拍成电影 都比书好看。。。
最后的破案比较莫名其妙，整体依旧比较平淡。
最不舒服的是男性客人让女主帮忙约另一位女性客人单独见面，女主竟然答应了……不管酒店工作人员后续安排的有多妥当，但入住你家酒店，享受私人空间的时候，真的不需要酒店自以为是给客人安排和陌生人的见面，而且到底有没有考虑过女客人本身的意愿和客人的安全问题？我只能翻白眼。除此之外的话，电影剧本本身依旧比较寡淡无味，悬疑推理案件无聊没意思就是不及格。
没看就别浪费时间了，看看抖音剪辑全明星露脸得了
破案和推理部分太平淡了，爱情线也来的莫名其妙。死板的酒店员工和后知后觉的警察，最后居然是因为一只不准的手表才没有人员伤亡，离谱。
卡司强大，但推理也太单薄了，全靠猜啊！最后整个故事也讲得莫名其妙
但是有的剧情确实离谱…关于酒店服务这一块有点过于疯魔化了的感觉是真的。就比如一开头的白气球哪怕离谱我也会感叹说真是好的酒店，但是后面男客人要求一定要约到一个女性甚至是非单身的女性的时候有点不适了，要约就自己上，长泽雅美这边还竟然依旧选择答应…
有种DC粉丝来漫威当导演的感觉……可能漫威和赵想要做出一部漫威版的《守望者》，实际情况则是模仿着别人的动作打出了一个耗时巨长的哈欠。难道只能期待蜘蛛侠了吗？
来酒店的人们，都戴着假面，这里绝对不仅仅是是一个华美的地方，酒店员工为了让客人享受到幸福的时光，一直都在守护着大家的假面；
打鬥戲不錯，乍看下是低配版正義聯盟，畫面不錯，但女主的愛情戲太多，倒是希望Ikaris能復活
很有意思，最大的看点是长泽雅美和木村拓哉。所以说下一部去洛杉矶拍？
原著是续集电影自然也是续集，一切都延续了第一集的阵容又讲了一个故事，本次倒是没那么多与主线无关的内容，推理破案部分有些弱，不过看过原著也知道改了不少，鉴于原著到此为止要不要把《假面前夜》拍成个电视剧？
同样的折叠
最不舒服的是男性客人让女主帮忙约另一位女性客人单独见面，女主竟然答应了……不管酒店工作人员后续安排的有多妥当，但入住你家酒店，享受私人空间的时候，真的不需要酒店自以为是给客人安排和陌生人的见面，而且到底有没有考虑过女客人本身的意愿和客人的安全问题？我只能翻白眼。除此之外的话，电影剧本本身依旧比较寡淡无味，悬疑推理案件无聊没意思就是不及格。
很有意思，最大的看点是长泽雅美和木村拓哉。所以说下一部去洛杉矶拍？
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