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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
动作场面和背景音乐契合到让人拍手叫好的武打
不愧是视觉导演出生，有些场面确实不错。很喜欢影片塑造的原始暴力感。不过这爹妈人均神经病的王子（或者说贱民）复仇记，怎么看着这么像《鲁鲁修》……？安雅出现的每一帧都是靓爆镜的存在。
并不是改编莎翁，而是模仿莎翁，面对戏剧化的莎翁风格，令人意外的是，所有长镜头、彰显调度的戏都让人一刻也无法挪开视线，而那些形式感和舞台感强烈的戏，却始终总有说不出的生硬与违和，所有荒蛮、杀戮、暴力、阴谋甚至乱伦的戏都令人愉悦，而企图以仪式化塑造文明感的戏是那么造作，所有作者化的部分都那么迷人，而类型化的部分是那么格格不入。我没有那么爱这部电影，但是我爱死了电影里每一个长镜头和配乐的每一个音符
期待有多高，失望就有多大。女武神的祝福是北欧人的胡子吧，剪掉胡子和头发后的王子战斗力弱到只剩下肌肉和“见光死”的剑。
北欧人版的王子复仇记，画风和摄影满分，但是影片过于注重形式，而忽略了故事本身的内核，不仅缺乏反派角色的刻画，也缺乏王子内心的成长和挣扎。
7/10罗伯特艾格斯的视听大作+1
肯定是没有达到预期的，这个剧本太普通了，里面的打斗戏也像是没有武术指导，毫无美感。导演的风格依旧，多处场景设计美得窒息，依旧加入了很多导演拿手的神话体系增色不少。整体还是值得看的。
梁朝伟x漫威，次元壁破了！啊啊啊！梁朝伟演技太好以至于我完全被这位“反派”爸爸说服，想跟着这位活了一千多年的神仙劈山救老婆，管他什么世界末日。最后一幕梁朝伟回头，求而不得又充满希冀的眼神让我一个晚上也忘不了。其他演员的演绎是中规中矩的「西方」漫威英雄，打就完事儿了，反正主角永远伟大而正义。而梁朝伟呈现的是一种复杂的人性，一种「东方」的情谊——一念成佛，亦可入魔，提携玉龙为君死，只因感君千金意。对比之下，很难不说梁朝伟的演绎对主角团丢了一张二向箔。其实，“反派”爸爸应该早就明白妻子已经死了，等待他的只是一个陷阱，所以进入村子才会施施然先去祠堂拜祭亡妻，而不是匆忙地去劈山。然而，为了一个虚无缥缈的可能，他还是飞蛾扑火了。这是什么东方的神仙爱情。
看的92y首映场 E大真的尽职尽责认真回答问题 第一次看故弄玄虚神话片 大家吐槽的50个人小村庄称王打打杀杀没有大场面我也深有同感 但这也许是当年北欧神话的真实展现？我被我女神的所有片段吓坏了
还记得第一次看《天机·富春山居图》的感动吗？不记得也没关系，尚气会帮你重温那种天雷滚滚的感觉。
It’s a shock to look at the early stage of our civilization and how individualism could be so deeply rooted in the DNA of their culture.
很多人说剧情陈旧，但对我而言，叙事不是电影唯一重要的因素，喜欢的演员，绝佳的摄影，反正我看的时候是挺沉浸的
第3549-虽然涵盖历史和神话元素，但像是拼凑，制作得也一般，主要是哈姆雷特的内核创新有限。
建议观看时将 Kingdom、King、Prince 自行翻译成乌鸦屯、村长、村长儿子，观感会提升很多。
这个复仇的故事太接地气了，解读性就少了，反而不利于Robert Eggers的发挥，毕竟因为文化隔离的存在，哈姆雷特的故事在你国土壤是真的不受待见。发疯的Nichole算是唯一亮点吧。
但是叙事神神叨叨的，过于拖沓
3.5 “北欧人”，站在火山地狱口的两人
不想看装腔作势又粗劣浅显的王子复仇戏码了。
就是有很多想法
体会到非裔群体看Black Panther的时候的那种认同和满足感了，借用吉的话，影片对于二代亚裔尤其是华裔移民来说其实可能意义更大。即使对于身份认同没有那么强烈需求的我们，离场的时候看着身边的外国观众，也会生出一些些优越感和开心，尤其是有这么一个华裔角色进入到被全球认可的流行icon之一的漫威宇宙，作为一个喜欢并从头见证漫威史的影迷，是真的挺爽的。影片本身带着一种浪漫的节奏，武打设计很亮眼很美，梁朝伟仿佛没有变，只是年纪大了，但还是那么有魅力，太帅了！美中不足，尚气的自我救赎和成长反而没有他爸的深情和执念来得强烈，水下觉醒那段可以给到他一些personal time的。漫威宇宙太强了，迫不及待想到看multi-universe要怎么展开。
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