Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
卖情怀新老联动，努力塞满各种彩蛋，可惜故事不如新系列的前两部好看。
剧情和演技有点awkward…多一星给AJ和girl in red…
终于有欧美小孩为学业焦虑了...
沧女士就那丢丢戏份导演你看看合适嘛？？？三颗星全靠情怀加持，要不就一工业废料…
🎊🎊玄纯🎸💜🎸柊🎊🎊
我觉得很好看啊，有刺激的追逐，有恐龙的打斗，也有恐怖惊悚，能在疫情期间看到这种电影，很不错了，知足吧！
一些糖水女同片！但是可爱wwww女主的girl in red短袖好想要同款！
我咋觉得这么好看？虽然剧情走马观花，堪称稀烂，但量大管饱。老版演员和经典元素也拉满情怀了。当然也可能以为我三个月没进电影院了。
很温柔 One can move on and love again.
再来说说缺点:
可能期望太低，看完觉得超出预期。感情戏尬出天际，几场动作戏有气势追摩托车那一场其实还不错。喜欢在世界范围内共存这个点题的走向，可惜走马观花一笔带过，大半战斗还是发生在一个小范围的厢亭公园里。Chris Patt 作为第一男主大概是最没特色没看头的一个主角。需要怀旧跟老一代三人组汇合的处理也非常刻意。Tim Cook 和邪恶总部 Apple park cosplay 满分。
啊啊啊啊喜欢死了
其实剧情挺烂的，有些剧情导演应该是处理不了就直接借助混乱的镜头剪辑蒙混过去了。本来我也想打三星的，但是考虑到它有很多镜头在3D的效果下看着真的很刺激，它有带给我那种在影院观影的乐趣，所以我决定还是给它打个四星。
为我的绝世好攻上山立夏爆灯！妈妈爱你！作者终于想起这对情侣了吗？别再回忆ex了好吗！我知道真冬曾经很爱他，那么多篇幅已经够表达了，再沉溺于过去，现在和未来都会失去的！！
敷衍咱们女同是吧！感觉我到了五十岁还爱看欧美青春校园爱情片，狠狠嫉妒他们的校园生活，把我空投到片中的世界ok？
甜甜的青春校园爱情，中规中矩，主演们都散发着青春自信的气息，而且主要剧情就大概都能猜出来了，然后就是接吻和派对无处不在，反正有点甜又有些搞笑，但是还没到刻骨铭心的地步，及格分吧！呜呼！
做不出比Apple TV更好的恐龙就拿库克来出出气吧
虽然但是，我永远喜欢GIVEN。稍微有点没搞清楚时间线，似乎是剧场版前辈组搞大动作时候的一些侧面补充。柊和玄纯的戏份很满意，柊好骄纵好还原等不及想要看他的支线（…）。在真冬看到那块表之后，立夏没有表现出嫉妒或者生气，而是抱住他说不要一副想哭的表情。由纪和音乐已经产生了某种难以分开的关联，和死人打架是不可能的，只能耐心等待真冬自己放下而已，真冬也以歌词回应了这份期待。这俩人总是用语言之外的东西在交流啊… 歌不错，唱得不错。前辈组和公主线搞快点搞快点。颜色和光线很活泼漂亮，画面还算精致。| “哇，太帅了！”哈哈哈哈
作为侏罗纪系列的第二个完结篇，经典片段的致敬到位了，“公园世界”的全家福大融合情怀也有了，可你恐龙去哪了？两个多小时的时长，正儿八经的恐龙镜头也就半小时，片尾本该是地表最强之间的决斗，然而南方巨兽龙居然被秒了？前1个小时的城市追逐大戏，把恐龙换成人形反派的话就真的像在拍碟中谍了，人均阿汤哥是吧？后半段的恐龙实验室桥段也是在炒第一部的冷饭，无聊到爆，怪不得大反派衣着打扮都像苹果库克，原来都爱炒冷饭啊？
7个人躲在一辆倒地的大巴车后面，号称是陆地最大食肉动物的南方巨兽龙正在寻找他们，这个片段可以做封面的。侏罗纪世界3作为商业大片，绝对是一部佳作！基地、实验室、封闭密室、街道、居民楼、森林、湖泊、冰面，洞穴等等各种场景应有尽有。追逐大戏是必不可少的，恐龙在闹市区追汽车，追摩托车的桥段真的是精彩刺激。极限时间上飞机，跳伞等镜头全部给你安排上。这部3比前两部1和2丝毫不差，在有些方面甚至拍的更好，比如更为惊悚，有好几次镜头突然出现恐龙，轻轻的把我吓到了。
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